'If the rise of the TikTok dance and e-girl aesthetic has taught us anything, it's that teenage girls rule the internet right now': TikTok celebrity, girls and the Coronavirus crisis

被引:141
作者
Kennedy, Melanie [1 ]
机构
[1] Univ Leicester, Media & Commun, Leicester, Leics, England
关键词
Celebrity; Charli D'Amelio; Coronavirus; girls; TikTok;
D O I
10.1177/1367549420945341
中图分类号
G [文化、科学、教育、体育]; C [社会科学总论];
学科分类号
03 ; 0303 ; 04 ;
摘要
During the global lockdowns brought about by the Coronavirus crisis, TikTok saw a phenomenal rise in users and cultural visibility. This short essay argues that the media attention paid to TikTok during this time can be read as a celebration of girlhood in the face of the pandemic, and can be seen to contribute to the transformation of girls' 'bedroom culture' (McRobbie and Garber, 2006) from a space previously conceptualised as private and safe from judgement, to one of public visibility, surveillance and evaluation. Focusing on Charli D'Amelio, this essay argues that the increasing visibility of TikTok and rising celebrity of D'Amelio during the Coronavirus crisis continues and intensifies the longer history of young female celebrity culture, and obscures the dangers and impacts faced by girls around the world who are situated outside of the ideals embodied in TikTok stars like D'Amelio.
引用
收藏
页码:1069 / 1076
页数:8
相关论文
共 30 条
[11]  
Harvey A, 2019, FLOW
[12]  
Iqbal M., 2021, Business of Apps
[13]  
Joshi S., 2020, Vice
[14]  
Kale S., 2020, The Guardian
[15]   On not taking the self seriously: Resilience, relatability and humour in young women's Tumblr blogs [J].
Kanai, Akane .
EUROPEAN JOURNAL OF CULTURAL STUDIES, 2019, 22 (01) :60-77
[16]   Girls' bedrooms as sites of cultural production [J].
Kearney, Mary Celeste .
JOURNAL OF CHILDREN AND MEDIA, 2007, 1 (02) :126-141
[17]  
Kennedy M, 2019, LIBR GENDER POP CULT, P1
[18]  
Lamont T., 2020, The Guardian
[19]  
Lorenz T, 2020, INDEPENDENT
[20]  
McRobbie A, 2006, RESISTANCE THROUGH RITUALS: YOUTH SUBCULTURES IN POST-WAR BRITAIN, SECOND EDITION, P177