Surprise Me If You Can

[1] LIMITS OF PLURALISM .2. DECONSTRUCTIVE ANGEL [J]. CRITICAL INQUIRY, 1977, 3 (03) : 425 - 438

[2] [Anonymous], 2015, LOS ANGELES REV 0308

[3] [Anonymous], 2015, FORMS WHOLE RHYTHM H

[4] [Anonymous], 2015, BULLY BLOGGERS 0912

[5] Barthes Roland., 1974, SZ

[6] Surface Reading: An Introduction [J]. REPRESENTATIONS, 2009, (108) : 1 - 21

[7] Bhabha HomiK., 2012, The Location of Culture, V2nd

[8] Bogel FV, 2013, NEW FORMALISMS AND LITERARY THEORY, P29

[9] LIMITS OF PLURALISM .1. PRESERVING EXEMPLAR - OR, HOW NOT TO DIG OUR OWN GRAVES [J]. CRITICAL INQUIRY, 1977, 3 (03) : 407 - 423

[10] Detienne Marcel., 2008, COMP INCOMPARABLE

[1] LIMITS OF PLURALISM .2. DECONSTRUCTIVE ANGEL [J]. CRITICAL INQUIRY, 1977, 3 (03) : 425 - 438

[2] [Anonymous], 2015, LOS ANGELES REV 0308

[3] [Anonymous], 2015, FORMS WHOLE RHYTHM H

[4] [Anonymous], 2015, BULLY BLOGGERS 0912

[5] Barthes Roland., 1974, SZ

[6] Surface Reading: An Introduction [J]. REPRESENTATIONS, 2009, (108) : 1 - 21

[7] Bhabha HomiK., 2012, The Location of Culture, V2nd

[8] Bogel FV, 2013, NEW FORMALISMS AND LITERARY THEORY, P29

[9] LIMITS OF PLURALISM .1. PRESERVING EXEMPLAR - OR, HOW NOT TO DIG OUR OWN GRAVES [J]. CRITICAL INQUIRY, 1977, 3 (03) : 407 - 423

[10] Detienne Marcel., 2008, COMP INCOMPARABLE