The Object, the Archive and the Origins of Neue Sachlichkeit Photography

被引：9
作者：
Stetler, Pepper [1 ]
机构：
[1] Miami Univ, Oxford, OH 45056 USA
来源：
HISTORY OF PHOTOGRAPHY | 2011年 / 35卷 / 03期
关键词：
Neue Sachlichkeit; Deutsche Werkbund; Albert Renger-Patzsch (1897-1966); Marburg; style; archive; STYLE;
D O I：
10.1080/03087298.2011.579724
中图分类号：
J [艺术];
学科分类号：
13 ; 1301 ;
摘要：
This essay argues that the photographic style known as Neue Sachlichkeit was in part a product of the educational ambitions of photographic archives in early twentieth-century Germany. While these archives first developed this approach to photography as a tool for visual investigation and analysis, Neue Sachlichkeit photography has since been separated from its pragmatic origins. The essay connects the dramatic close-ups and uncommon viewing angles found in these archives to Neue Sachlichkeit photography, thus contributing to recent reconsiderations of the boundaries between photographic document and artistic style.
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收藏
页码：281 / 295
页数：15
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