Stage and musical culture of Peking opera and Western opera: a cross-cultural comparison

被引：0
作者：
Gao Zhichuang [1 ,2 ]
机构：
[1] Suqian Univ, Suqian, Peoples R China
[2] St Petersburg State Inst Culture, St Petersburg, Russia
来源：
VOPROSY ISTORII | 2022年 / 12卷 / 01期
关键词：
Beijing opera; Western opera; European opera; opera art; theatrical culture; comparative study; cross-cultural analysis; China;
D O I：
10.31166/VoprosyIstorii202212Statyi37
中图分类号：
K [历史、地理];
学科分类号：
06 ;
摘要：
The article is devoted to the study of the stage and musical features of Peking and Western opera in a comparative context. It is said that the formation and development of both types of opera art has the following artistic characteristics: Peking opera music is a process of evolution of folk dance, song poetry; Western opera mainly consists of composers who transform the folk musical heritage, religious music into an integral operatic genre. Although Peking and Western operas are different in performance system and artistic creativity, they have something in common in the form of dramatic music and can absorb and develop together.
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收藏
页码：210 / 223
页数：14
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