Searching for musical features using natural language queries: the C@merata evaluations at MediaEval

被引:1
作者
Sutcliffe, Richard [1 ]
Hovy, Eduard [2 ]
Collins, Tom [3 ]
Wan, Stephen [4 ]
Crawford, Tim [5 ]
Root, Deane L. [6 ]
机构
[1] Univ Essex, Sch CSEE, Colchester, Essex, England
[2] Carnegie Mellon Univ, Language Technol Inst, Pittsburgh, PA 15213 USA
[3] Lafayette Coll, Dept Comp Sci, Easton, PA 18042 USA
[4] CSIRO, Epping, NSW, Australia
[5] Goldsmiths Univ London, Dept Comp, London, England
[6] Univ Pittsburgh, Dept Mus, Pittsburgh, PA USA
关键词
Question answering; Natural language processing; Music information retrieval; Musicological analysis; MusicXML; Evaluation; KNOWLEDGE;
D O I
10.1007/s10579-018-9422-2
中图分类号
TP39 [计算机的应用];
学科分类号
081203 ; 0835 ;
摘要
Musicological texts about classical music frequently include detailed technical discussions concerning the works being analysed. These references can be specific (e.g. C sharp in the treble clef) or general (fugal passage, Thor's Hammer). Experts can usually identify the features in question in music scores but a means of performing this task automatically could be very useful for experts and beginners alike. Following work on textual question answering over many years as co-organisers of the QA tasks at the Cross Language Evaluation Forum, we decided in 2013 to propose a new type of task where the input would be a natural language phrase, together with a music score in MusicXML, and the required output would be one or more matching passages in the score. We report here on 3years of the C@merata task at MediaEval. We describe the design of the task, the evaluation methods we devised for it, the approaches adopted by participant systems and the results obtained. Finally, we assess the progress which has been made in aligning natural language text with music and map out the main steps for the future. The novel aspects of this work are: (1) the task itself, linking musical references to actual music scores, (2) the evaluation methods we devised, based on modified versions of precision and recall, applied to demarcated musical passages, and (3) the progress which has been made in analysing and interpreting detailed technical references to music within texts.
引用
收藏
页码:87 / 140
页数:54
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