Recovery of a lost wall painting at the Etruscan Tomb of the Blue Demons in Tarquinia (Viterbo, Italy) by multispectral reflectometry and UV fluorescence imaging

被引:15
作者
Adinolfi, G. [1 ]
Carmagnola, R. [1 ]
Cataldi, M. [2 ]
Marras, L. [3 ]
Palleschi, V. [4 ]
机构
[1] Pegaso Srl, Via Elvia Recina 6, I-00183 Rome, Italy
[2] Museum & Necropolis Tarquinia, Via G Pezzana 80, I-00197 Rome, Italy
[3] Art Test Studio Luciano Marras, Via Martello 14, I-56121 Pisa, Italy
[4] CNR ICCOM, Via Moruzzi 1, I-56125 Pisa, Italy
关键词
archaeology; wall paintings; Etruscan tombs; multispectral imaging; ultraviolet (UV) fluorescence; blind-source separation techniques; Tarquinia; PATTERNS;
D O I
10.1111/arcm.12423
中图分类号
K85 [文物考古];
学科分类号
0601 ;
摘要
This paper presents the results of a multispectral reflectometry and ultraviolet (UV) fluorescence study on the entrance wall of the Tomb of the Blue Demons in the Necropolis of Monterozzi (450-430 bc) in Tarquinia (Viterbo, Italy), which is a UNESCO site. The technique is based on the acquisition of a multispectral set ranging from 10 to 25 images, acquired at wavelengths between 370 and 1120 nm, with a spectral width of 50 nm per image, using both halogen lamps for visible and infrared images and high-purity UV diodes for fluorescence. Blind-source separation algorithms were then applied to the whole image set to extract from the resulting images the details not otherwise visible in the single spectral images. The multispectral technique presented was tested and improved upon over the last decade on ancient Etruscan and Roman wall paintings and, because of its quickness and cost-effectiveness, it can now be proposed as a powerful tool for the study of poorly conserved archaeological wall paintings and a preliminary diagnostic survey before any future conservation intervention on them.
引用
收藏
页码:450 / 458
页数:9
相关论文
共 24 条
[1]  
Adinolfi G., 2005, Gilotta, V2005, P45
[2]   Invasive and non-invasive analyses for knowledge and conservation of Roman wall paintings of the Villa of the Papyri in Herculaneum [J].
Amadori, M. L. ;
Barcelli, S. ;
Poldi, G. ;
Ferrucci, F. ;
Andreotti, A. ;
Baraldi, P. ;
Colombini, M. P. .
MICROCHEMICAL JOURNAL, 2015, 118 :183-192
[3]  
[Anonymous], 2005, Paoletti, P431
[4]   Multispectral imaging system for the mapping of pigments in works of art by use of principal-component analysis [J].
Baronti, S ;
Casini, A ;
Lotti, F ;
Porcinai, S .
APPLIED OPTICS, 1998, 37 (08) :1299-1309
[5]  
Cerchiai L., 2010, QUADERNI CTR STUDI M, V10, P63
[6]  
Cerchiai L., 2010, ANN ARCHEOLOGIA STOR, P107
[7]   The Actinobacterial Colonization of Etruscan Paintings [J].
Diaz-Herraiz, Marta ;
Jurado, Valme ;
Cuezva, Soledad ;
Laiz, Leonila ;
Pallecchi, Pasquino ;
Tiano, Piero ;
Sanchez-Moral, Sergio ;
Saiz-Jimenez, Cesareo .
SCIENTIFIC REPORTS, 2013, 3
[8]  
Gilotta F., 2007, B ARTE, V140, P61
[9]   Construction and comparison of 3D multi-source multi-band models for cultural heritage applications [J].
Grifoni, Emanuela ;
Legnaioli, Stefano ;
Nieri, Pierluigi ;
Campanella, Beatrice ;
Lorenzetti, Giulia ;
Pagnotta, Stefano ;
Poggialini, Francesco ;
Palleschi, Vincenzo .
JOURNAL OF CULTURAL HERITAGE, 2018, 34 :261-267
[10]   Remote multispectral imaging with PRISMS and XRF analysis of Tang Tomb Paintings [J].
Lange, Rebecca ;
Zhang, Qunxi ;
Liang, Haida .
O3A: OPTICS FOR ARTS, ARCHITECTURE, AND ARCHAEOLOGY III, 2011, 8084