Methodological evolutions of Raman spectroscopy in art and archaeology

被引：74

作者：

Bersani, Danilo ^{[1
]}

Conti, Claudia ^{[2
]}

Matousek, Pavel ^{[3
]}

Pozzi, Federica ^{[4
]}

Vandenabeele, Peter ^{[5
]}

机构：

[1] Univ Parma, Dept Phys & Earth Sci, Parco Area Sci 7-A, I-43124 Parma, Italy

[2] CNR, ICVBC, Via Cozzi 53, I-20125 Milan, Italy

[3] STFC Rutherford Appleton Lab, Cent Laser Facil, Res Complex Harwell, Oxford OX11 0QX, England

[4] Metropolitan Museum Art, Dept Sci Res, 1000 Fifth Ave, New York, NY 10028 USA

[5] Univ Ghent, Dept Archaeol, St Pietersnieuwstr 35, B-9000 Ghent, Belgium

来源：

ANALYTICAL METHODS | 2016年 / 8卷 / 48期

关键词：

WORKS-OF-ART; INDUCED BREAKDOWN SPECTROSCOPY; WEATHERING STEEL SURFACES; IN-SITU ANALYSIS; MICRO-RAMAN; FT-RAMAN; ORGANIC COLORANTS; SCATTERING SERS; CULTURAL-HERITAGE; PIGMENT IDENTIFICATION;

D O I：

10.1039/c6ay02327d

中图分类号：

O65 [分析化学];

学科分类号：

070302 ; 081704 ;

摘要：

During the last decades, Raman spectroscopy has grown from research laboratories to a well-established approach that is increasingly often used in archaeometry and conservation science. When looking at these research fields, some novel trends can be detected and therefore we would like to review the recent literature on the technical aspects and new evolutions of Raman spectroscopy applied to art analysis. This article reviews Raman instrumentation, with a special focus on the use of mobile and portable instruments, recent developments in the field of surface-enhanced Raman spectroscopy (SERS), and the introduction of spatially offset Raman spectroscopy (SORS) in the field of art and archaeology.

引用

页码：8395 / 8409

页数：15

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