Is one eye better than two when viewing pictorial art?

被引：15

作者：

Ciuffreda, KJ ^{[1
]}

Engber, K

机构：

[1] SUNY Coll Optometry, New York, NY 10010 USA

[2] CUNY, Dept English, New York, NY 10016 USA

来源：

LEONARDO | 2002年 / 35卷 / 01期

关键词：

D O I：

10.1162/002409402753689290

中图分类号：

J [艺术];

学科分类号：

13 ; 1301 ;

摘要：

During viewing of most objects in one's everyday environment, the binocular and monocular relative depth cues interact in a harmonious, concordant and reinforcing manner to provide perceptual stability. However, when one views pictorial art, these binocular and monocular cues are discordant, and thus a perceptual 'cue conflict' arises. This acts to reduce the relative apparent perceived distance of objects in a painting, thus producing overall perceptual depth 'flattering'. The theory and physiology underlying this phenomenon are discussed.

引用

页码：37 / 40

页数：4

共 27 条

[1] ANNAN MEA, 1992, PERCEPTION, V21, P813
[2] ARNHEIM R, 1974, ART VISUAL PERCPETIO
[3] NEURAL MECHANISM OF BINOCULAR DEPTH DISCRIMINATION
BARLOW, HB
BLAKEMOR.C
PETTIGRE.JD
[J]. JOURNAL OF PHYSIOLOGY-LONDON, 1967, 193 (02): : 327 - &
[4] CIUFFRESDA KJ, 1995, EYE MOVEMENT BASICS
[5] ELY DW, 1995, PERCEPTION, V24, P981
[6] PERSPECTIVE VERGENCE - OCULOMOTOR RESPONSES TO LINE DRAWINGS
ENRIGHT, JT
[J]. VISION RESEARCH, 1987, 27 (09) : 1513 - 1526
[7] ENRIGHT JT, 1987, PERCEPTION, V16
[8] ACCOMMODATION AND APPARENT DISTANCE
FISHER, SK
CIUFFREDA, KJ
[J]. PERCEPTION, 1988, 17 (05) : 609 - 621
[9] Griffin JR, 1995, BINOCULAR ANOMALIES
[10] HELMHOLTZ H, 1970, HELMHOLTZS TREATISE

← 1 2 3 →