Towards a digital geography of Hispanic Baroque art

被引：4

作者：

Suarez, Juan Luis ^{[1
]}

Sancho-Caparrini, Fernando ^{[2
]}

Ortega, Elika ^{[1
]}

de la Rosa, Javier ^{[1
]}

Caldas, Natalia ^{[1
]}

Brown, David ^{[1
]}

机构：

[1] Univ Western Ontario, CulturePlex Lab, London, ON N6A 3K7, Canada

[2] Univ Seville, Dept Comp Sci & Artificial Intelligence, Seville, Spain

来源：

LITERARY AND LINGUISTIC COMPUTING | 2013年 / 28卷 / 04期

基金：

加拿大创新基金会;

关键词：

D O I：

10.1093/llc/fqt050

中图分类号：

H0 [语言学];

学科分类号：

030303 ; 0501 ; 050102 ;

摘要：

In this article we propose an approach to the study of art history based on geography of Hispanic Baroque art by digital means that showcase the multiplicity of possible places of art. Our study advances four elements of a digital geography of art (communities, semantic maps, areas, and flows)-a methodology that can be expanded in future Digital Humanities research.

引用

页码：718 / 735

页数：18

共 33 条

[1] [Anonymous], 2006, EMPIRES ATLANTIC WOR
[2] [Anonymous], SAQUEO CULTURAL AM L
[3] [Anonymous], 2002, Journal of Cognition and Culture, DOI [10.1163/156853702320281836, DOI 10.1163/156853702320281836]
[4] [Anonymous], 2010, Diversity and complexity
[5] BaroqueArt Database, 2010, BAROQUEART DAT
[6] Boyd R., 2005, EVOLUTION CULTURE, P105, DOI DOI 10.7551/MITPRESS/2870.003.0009
[7] Braudel Fernand., 1972, MEDITERRANEAN MEDITE
[8] Brown J., 1999, CATALOGO EXPOSICION
[9] Canizares-Esguerra Jorge., 2006, Puritan Conquistadors: Iberianizing the Atlantic, 1550-1700
[10] Castells M, 2009, Communication power

← 1 2 3 4 →