When white space is more than "burning money": Economic signaling meets visual commercial rhetoric

被引:31
作者
Pracejus, John W. [1 ]
O'Guinn, Thomas C. [2 ]
Olsen, G. Douglas [3 ]
机构
[1] Univ Alberta, Edmonton, AB T6E 2R6, Canada
[2] Univ Wisconsin, Madison, WI 53705 USA
[3] Arizona State Univ, WP Carey Sch Business, Tempe, AZ 85287 USA
关键词
Burning money; Design; Visual persuasion; Branding; Persuasion knowledge; Social history; PERCEIVED ADVERTISING COSTS; PRODUCT QUALITY; PERCEPTIONS; INFORMATION; CONSUMERS; PRICE; MODEL;
D O I
10.1016/j.ijresmar.2012.11.004
中图分类号
F [经济];
学科分类号
02 ;
摘要
Previous work has demonstrated that the use of white space in advertising communicates specific meanings to consumers and that this meaning derives from particular historical moments in the art and visual rhetoric of 20th-century North America. The use of "empty space" in ads, however, can also be conceptualized as a signal of burning money, which could influence consumer perceptions about the size and power of a company through completely different mechanisms. Somewhat surprisingly, nearly all empirical demonstrations of burning money in a consumer advertising context also manipulated white space, leaving the mechanism of action unclear. The results of the three studies discussed here indicate that white space is different from other ways of burning money, and its meanings are sufficiently different across cultures, thus providing stronger support for the rhetorical explanation than the economic signaling one. The findings are discussed in terms of their implications for previous research that found that consumers infer quality from the economic signals of burning money. (C) 2013 Elsevier B.V. All rights reserved.
引用
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页码:211 / 218
页数:8
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