Iconic experience in art and life -: Surface/depth beginning with Giacometti's Standing Woman

被引:70
作者
Alexander, Jeffrey C. [1 ]
机构
[1] Yale Univ, Ctr Cultural Sociol, New Haven, CT 06520 USA
关键词
art; culture; icons; sociology;
D O I
10.1177/0263276408095213
中图分类号
G [文化、科学、教育、体育]; C [社会科学总论];
学科分类号
03 ; 0303 ; 04 ;
摘要
This article examines a key question emerging from the strong program in cultural sociology - can art provide a window into social life? An examination of Giacometti's Standing Woman shows that art attempts to express cultural structures via immersion into and through the material surfaces of aesthetic form. Through an analysis of the iconic significance of family photos, furniture and celebrities, the article goes on to suggest that such iconic experience remains at the basis of contemporary social life. It explains how we feel part of our surroundings, how we experience the ties that bind us to the people we know and how we develop a feeling for cultural hierarchy.
引用
收藏
页码:1 / 19
页数:19
相关论文
共 58 条
  • [1] ALEXANDER J, ENV PLANN D IN PRESS, V26
  • [2] [Anonymous], 1993, Cigarettes Are Sublime
  • [3] [Anonymous], FASHION CULTURES THE
  • [4] [Anonymous], RES ANTHR AESTHETICS
  • [5] Barthes R., 2000, MYTHOLOGIES
  • [6] Barthes Roland., 1997, IMAGE MUSIC TEXT
  • [7] Belk R.W., 2005, CONSUMP MARK CULT, V8, P205, DOI [https://doi.org/10.1080/10253860500160403, DOI 10.1080/10253860500160403]
  • [8] Benjamin Walter., 1969, ILLUMINATIONS, P217
  • [9] Bollas C., 1987, The shadow of the object: Psychoanalysis of the unthought known
  • [10] Brown Bill., 2001, CRIT INQUIRY, V28, P1, DOI DOI 10.1086/449030