"War-on-Terror" Frames of Remembrance: The 1985 Air India Bombings After 9/11

This paper critically analyzes Canadian filmmaker Sturla Gunnarsson's documentary Air India 182 in light of recent official efforts to remember and redress the 1985 Air India bombings. The author argues that the film, in line with official efforts, constructs a narrative of the bombings through a "war on terror" framing of remembrance that is at once specific to the recircuitries of race produced in the anxious aftermath of 9/11, and consistent with historically rooted operations of xenophobia and colonial power. The significance of such a framing is that it works not only to shape memory of the bombings as a certain kind of event (one with unambiguous perpetrators, victims and damages), it narrows the field of what are imagined as possible actions toward redressing or compensating for its losses. In other words, a war-on-terror framing of remembrance, as a discursive strategy or approach to "remembering" the bombings, limits the potential for a complex understanding of the politics out of which this event arose, restricting public debate over the kinds of responses that continue to be generated in its aftermath. Moreover, a war-on-terror framing of remembrance is understood here to employ neoliberal and settler-colonialist discourses of productive futurity and multicultural tolerance to make remembrance of the bombings concomitant with the construction of turbaned Sikhs and other racially and religiously minoritized citizens as "dangerous internal foreigners." As such, this paper bears implications beyond the documentary film, including the consequences of neoliberalism for the formation of public memory and for the making of race and nation in Canada.