Musical Training as a Framework for Brain Plasticity: Behavior, Function, and Structure

被引:507
作者
Herholz, Sibylle C. [1 ]
Zatorre, Robert J. [1 ]
机构
[1] McGill Univ, Montreal Neurol Inst, Montreal, PQ H3 A2B4, Canada
基金
加拿大健康研究院; 加拿大自然科学与工程研究理事会;
关键词
AUDITORY CORTICAL REPRESENTATIONS; HUMAN MOTOR CORTEX; NON-MUSICIANS; MULTISENSORY INTEGRATION; PROFESSIONAL PIANISTS; PITCH DISCRIMINATION; MISMATCH NEGATIVITY; TEMPORAL PLASTICITY; COMPARING MUSICIANS; GENETIC INFLUENCES;
D O I
10.1016/j.neuron.2012.10.011
中图分类号
Q189 [神经科学];
学科分类号
071006 ;
摘要
Musical training has emerged as a useful framework for the investigation of training-related plasticity in the human brain. Learning to play an instrument is a highly complex task that involves the interaction of several modalities and higher-order cognitive functions and that results in behavioral, structural, and functional changes on time scales ranging from days to years. While early work focused on comparison of musical experts and novices, more recently an increasing number of controlled training studies provide clear experimental evidence for training effects. Here, we review research investigating brain plasticity induced by musical training, highlight common patterns and possible underlying mechanisms of such plasticity, and integrate these studies with findings and models for mechanisms of plasticity in other domains.
引用
收藏
页码:486 / 502
页数:17
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