THE EFFECTS OF TIMBRE ON NEURAL RESPONSES TO MUSICAL EMOTION

被引:8
作者
Zhang, Weixia [1 ]
Liu, Fang [2 ]
Zhou, Linshu [1 ]
Wang, Wanqi [1 ]
Jiang, Hanyuan [3 ]
Jiang, Cunmei [1 ]
机构
[1] Shanghai Normal Univ, Shanghai, Peoples R China
[2] Univ Reading, Reading, Berks, England
[3] Macau Univ Sci & Technol, Macau, Peoples R China
来源
MUSIC PERCEPTION | 2019年 / 37卷 / 02期
基金
中国国家自然科学基金; 欧洲研究理事会;
关键词
timbre; affective priming; N400; LPC; P3; VOICE; PERCEPTION; BRAIN; SOUNDS; SIMILARITY; ATTENTION; AROUSAL; P300;
D O I
10.1525/MP.2019.37.2.134
中图分类号
J6 [音乐];
学科分类号
摘要
TIMBRE IS AN IMPORTANT FACTOR THAT AFFECTS the perception of emotion in music. To date, little is known about the effects of timbre on neural responses to musical emotion. To address this issue, we used ERPs to investigate whether there are different neural responses to musical emotion when the same melodies are presented in different timbres. With a cross-modal affective priming paradigm, target faces were primed by affectively congruent or incongruent melodies without lyrics presented in the violin, flute, and voice. Results showed a larger P3 and a larger left anterior distributed LPC in response to affectively incongruent versus congruent trials in the voice version. For the flute version, however, only the LPC effect was found, which was distributed over centro-parietal electrodes. Unlike the voice and flute versions, an N400 effect was observed in the violin version. These findings revealed different patterns of neural responses to musical emotion when the same melodies were presented in different timbres, and provide evidence for the hypothesis that there are specialized neural responses to the human voice.
引用
收藏
页码:134 / 146
页数:13
相关论文
共 70 条
  • [1] Attention Modulation by Proportion Congruency: The Asymmetrical List Shifting Effect
    Abrahamse, Elger L.
    Duthoo, Wout
    Notebaert, Wim
    Risko, Evan F.
    [J]. JOURNAL OF EXPERIMENTAL PSYCHOLOGY-LEARNING MEMORY AND COGNITION, 2013, 39 (05) : 1552 - 1562
  • [2] EXPLORING PERCEPTUAL AND ACOUSTICAL CORRELATES OF POLYPHONIC TIMBRE
    Alluri, Vinoo
    Toiviainen, Petri
    [J]. MUSIC PERCEPTION, 2010, 27 (03): : 223 - 241
  • [3] Voice-Sensitive Regions in the Dog and Human Brain Are Revealed by Comparative fMRI
    Andics, Attila
    Gacsi, Marta
    Farago, Tamas
    Kis, Anna
    Miklosi, Adam
    [J]. CURRENT BIOLOGY, 2014, 24 (05) : 574 - 578
  • [4] Aramaki M, 2009, LECT NOTES COMPUT SC, V5493, P1, DOI 10.1007/978-3-642-02518-1_1
  • [5] A cross-cultural investigation of the perception of emotion in music: Psychophysical and cultural cues
    Balkwill, LL
    Thompson, WF
    [J]. MUSIC PERCEPTION, 1999, 17 (01): : 43 - 64
  • [6] ACOUSTICAL CORRELATES OF TIMBRE AND EXPRESSIVENESS IN CLARINET PERFORMANCE
    Barthet, Mathieu
    Depalle, Philippe
    Kronland-Martinet, Richard
    Ystad, Solvi
    [J]. MUSIC PERCEPTION, 2010, 28 (02): : 135 - U42
  • [7] Electrophysiological markers of voice familiarity
    Beauchemin, Maude
    De Beaumont, Louis
    Vannasing, Phetsamone
    Turcotte, Aline
    Arcand, Claudine
    Belin, Pascal
    Lassonde, Maryse
    [J]. EUROPEAN JOURNAL OF NEUROSCIENCE, 2006, 23 (11) : 3081 - 3086
  • [8] Behrens GeneAnn., 1993, PSYCHOL MUSIC, V21, P20, DOI DOI 10.1177/030573569302100102ALAY
  • [9] Thinking the voice:: neural correlates of voice perception
    Belin, P
    Fecteau, S
    Bédard, C
    [J]. TRENDS IN COGNITIVE SCIENCES, 2004, 8 (03) : 129 - 135
  • [10] Human temporal-lobe response to vocal sounds
    Belin, P
    Zatorre, RJ
    Ahad, P
    [J]. COGNITIVE BRAIN RESEARCH, 2002, 13 (01): : 17 - 26