Analysing the Impact of Music on the Perception of Red Wine via Temporal Dominance of Sensations

被引:20
|
作者
Wang, Qian Janice [1 ,2 ]
Mesz, Bruno [3 ]
Riera, Pablo [4 ]
Trevisan, Marcos [5 ,6 ]
Sigman, Mariano [7 ,8 ]
Guha, Apratim [9 ]
Spence, Charles [1 ]
机构
[1] Univ Oxford, Dept Expt Psychol, Crossmodal Res Lab, Oxford, England
[2] Aarhus Univ, Dept Food Sci, Aarslev, Denmark
[3] Univ Nacl Tres Febrero, MUNTREF Tecnopolis, Buenos Aires, DF, Argentina
[4] Univ Buenos Aires, CONICET, Inst Ciencias Comp, Lab Inteligencia Artificial Aplicada, Buenos Aires, DF, Argentina
[5] Univ Buenos Aires, Dept Phys, Buenos Aires, DF, Argentina
[6] Consejo Nacl Invest Cient & Tecn, Inst Phys Buenos Aires IFIBA, Buenos Aires, DF, Argentina
[7] Univ Torcuato Di Tella, CONICET, Lab Neurociencia, C1428BIJ, Buenos Aires, DF, Argentina
[8] Univ Nebrija, Fac Lenguas & Educ, Madrid, Spain
[9] Xavier Sch Management, XLRI, Prod Operat & Decis Sci Area, Jamshedpur, Bihar, India
关键词
Crossmodal correspondences; temporal dominance of sensations; attention; wine evaluation; music; DESCRIPTIVE ANALYSIS; TASTE; ATTENTION; CORRESPONDENCES; RECOGNITION; BITTERNESS; SOUNDS; MOTION; PITCH; FOOD;
D O I
10.1163/22134808-20191401
中图分类号
Q6 [生物物理学];
学科分类号
071011 ;
摘要
Several studies have examined how music may affect the evaluation of food and drink, but the vast majority have not observed how this interaction unfolds in time. This seems to be quite relevant, since both music and the consumer experience of food/drink are time-varying in nature. In the present study we sought to fix this gap, using Temporal Dominance of Sensations (TDS), a method developed to record the dominant sensory attribute at any given moment in time, to examine the impact of music on the wine taster's perception. More specifically, we assessed how the same red wine might be experienced differently when tasters were exposed to various sonic environments (two pieces of music plus a silent control condition). The results revealed diverse patterns of dominant flavours for each sound condition, with significant differences in flavour dominance in each music condition as compared to the silent control condition. Moreover, musical correspondence analysis revealed that differences in perceived dominance of acidity and bitterness in the wine were correlated in the temporality of the experience, with changes in basic auditory attributes. Potential implications for the role of attention in auditory flavour modification and opportunities for future studies are discussed.
引用
收藏
页码:455 / 472
页数:18
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