Constructivism is one of the most peculiar 20th century art styles. It emerged in Russia in the 1920s as a branch of functional art, influencing architecture, decorative art, scenography and dramatic art of the time. Up until the 1930s it also functioned as a means of Soviet propaganda. The aesthetics of constructivism actively stimulated the development of unusual ballet forms, which resulted in the development of a new approach to ballet aesthetics. Soviet Russian choreographers Fyodor Lopukhov and Kasyan Goleizovsky found new approaches to the language of choreography and stage design, while in Western Europe Sergei Dyagilev and his ballet company showed artistic achievements in cooperation with the choreographer Leonid Myasin, artists Pablo Picasso, Natalia Goncharova, Mikhail Larinov, composers Igor Stravinsky, Sergei Prolcofiev, and others. Constructivism, which saw its dawn in the 1930s, has widened the stylistics of dance art, has developed preconditions for the emergence of a new dance genre, the dance symphony, and has shown diverse cooperation opportunities between choreographers, composers and stage designers
