Officially announced in The order of things, Foucault's thesis that the subject is not evident received different treatments in the philosopher's thought. "The man" was always conceived as a problem and a focus of problematization and diagnostic of the genealogy of forces in constant relation. Foucault thinks anthropology from the epistemic crisis of modernity to reposition the limits and possibilities of the modern subject in his relationship with his world. Foucault shows, trough brief existences that emerge and dare the power, the importance of a new imagination to create other forms of life. What Foucault tells us through them extrapolates and shows the explanation of radical experiments in other ways of being. Other bodies, other desires, new boldness, other ways of being and fighting, via body, art, madness, critical thinking, political action. In all these ways so different, we identify a place of rupture in common. "Strange poems" is how Foucault refers to experiences of irreducible lives on which we intend to appoint a look. We defend the idea that the work of the subject on itself, understood as a demand for creation of transgressors and active gestures in direction to give new shape and meaning to their own way of being-the questions of subjectivity in Foucault's work.