Choreographing Fin'amor: Dance and the Game of Love in Geoffrey Chaucer's Troilus and Criseyde

被引：0
作者：
Stampone, Christopher [1 ]
机构：
[1] So Methodist Univ, Dallas, TX 75275 USA
来源：
CHAUCER REVIEW | 2015年 / 50卷 / 3-4期
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D O I：
暂无
中图分类号：
I3/7 [各国文学];
学科分类号：
摘要：
This article examines the rhetorical "daunce" in Geoffrey Chaucer's epic romance Troilus and Criseyde. More specifically, this article explains that "daunce" a term that appears a total of thirteen times and in every book of Troilus and Criseyde, and nowhere in Giovanni Boccaccio's Il Filostrato-is the predominant mode of fin'amor in the poem, casting discourse about love as a playful dance in which partners move, whirl, and spin each other with rhetoric. Understanding the love game as a rhetorical dance better explains the sometimes deeply problematic interactions of the poem's main characters-Pandarus, Criseyde, Troilus, and Diomede.
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页码：393 / 419
页数：27
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