Determining the sublime in the cinema of David Lynch

被引：0

作者：

Foubert, J

机构：

来源：

REVUE FRANCAISE D ETUDES AMERICAINES | 2004年 / 99期

关键词：

D; Lynch; real; reality; sublime; S; Zizek;

D O I：

暂无

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

Based on Slavoj Zizek's reading of Hegelian and Lacanian theories, this article analyses the concept of the sublime in the filmic work of one of today's most prominent filmmakers: David Lynch. We intend to show that the sublime in Lynch's pictures can be described in terms of what the narrative (the field of representation) fails to represent, to make sense of or to assimilate, that is to say what, by quoting Lacan, Zizek defines as the real: the emptiness, the central impossibility embedded in the reality principle.

引用

页码：72 / 82

页数：11