Musical Musical Nuance

[1] Barkley G., ST ELSEWHERE

[2] BRANDY H, 2004, FULL MOON

[3] THE PERCEPTION OF EXPRESSIVE TIMING IN MUSIC [J]. PSYCHOLOGICAL RESEARCH-PSYCHOLOGISCHE FORSCHUNG, 1989, 51 (01): : 2 - 9

[4] Davies S, 1999, J AESTHET ART CRITIC, V57, P93

[5] DAVIES S, 2001, MUSICAL WORKS PERFOR, P110

[6] Evans G., 1982, The varieties of reference

[7] Gracyk Theodore, 1996, RHYTHM NOISE AESTHET

[8] ART AND THE INEFFABLE [J]. JOURNAL OF PHILOSOPHY, 1961, 58 (12) : 309 - 320

[9] Lerdahl F., 1983, A Generative Theory of Tonal Music

[10] LONDON J, 1994, MUSIC THEOR SPECTRUM, V16, P269

[1] Barkley G., ST ELSEWHERE

[2] BRANDY H, 2004, FULL MOON

[3] THE PERCEPTION OF EXPRESSIVE TIMING IN MUSIC [J]. PSYCHOLOGICAL RESEARCH-PSYCHOLOGISCHE FORSCHUNG, 1989, 51 (01): : 2 - 9

[4] Davies S, 1999, J AESTHET ART CRITIC, V57, P93

[5] DAVIES S, 2001, MUSICAL WORKS PERFOR, P110

[6] Evans G., 1982, The varieties of reference

[7] Gracyk Theodore, 1996, RHYTHM NOISE AESTHET

[8] ART AND THE INEFFABLE [J]. JOURNAL OF PHILOSOPHY, 1961, 58 (12) : 309 - 320

[9] Lerdahl F., 1983, A Generative Theory of Tonal Music

[10] LONDON J, 1994, MUSIC THEOR SPECTRUM, V16, P269