'Organs of Embodied Sentiment': Contextualising William Blake's Sistine Studies c.1770-1790

[51] Newman John., 1986, REYNOLDS, P344

[52] O'Rourke Stephanie., 2021, Art, Science, and the Body in Early Romanticism

[53] OTT J, 1976, BLAKE NEWSL, V10, P48

[54] Ottley William Young, 1823, The Italian School Of Design, P32

[55] Phillips Michael, 2000, William Blake: The Creation of the Songs from Manuscript to Illuminated Printing

[56] Pointon Marcia R., 1972, Journal of the Warburg and Courtauld Institutes, V35

[57] Poseq Avigdor W. G., 2002, Artibus et Historiae, V23

[58] Postle Martin, Sketch for the Conjuror: 1775

[59] Rose EdwardJ., 1972, Studies in Romanticism, V11, P36, DOI DOI 10.2307/25599826

[60] Smith Craig R, 2018, Romanticism, Rhetoric and the Search for the Sublime

[51] Newman John., 1986, REYNOLDS, P344

[52] O'Rourke Stephanie., 2021, Art, Science, and the Body in Early Romanticism

[53] OTT J, 1976, BLAKE NEWSL, V10, P48

[54] Ottley William Young, 1823, The Italian School Of Design, P32

[55] Phillips Michael, 2000, William Blake: The Creation of the Songs from Manuscript to Illuminated Printing

[56] Pointon Marcia R., 1972, Journal of the Warburg and Courtauld Institutes, V35

[57] Poseq Avigdor W. G., 2002, Artibus et Historiae, V23

[58] Postle Martin, Sketch for the Conjuror: 1775

[59] Rose EdwardJ., 1972, Studies in Romanticism, V11, P36, DOI DOI 10.2307/25599826

[60] Smith Craig R, 2018, Romanticism, Rhetoric and the Search for the Sublime