Comparison of the Use of Traditional Solvents and Nanosecond 213 nm Nd:YAG Laser in Thinning Naturally Aged Varnish on a Contemporary Oil Easel Painting

被引:3
作者
Martinez-Weinbaum, Marina [1 ]
Lozano-Carbo, Miriam [2 ]
Maestro-Guijarro, Laura [1 ]
Carmona-Quiroga, Paula Maria [1 ]
Oujja, Mohamed [1 ]
Castillejo, Marta [1 ]
机构
[1] CSIC, Inst Quim Fis Rocasolano IQFR, Madrid 28006, Spain
[2] Univ Barcelona, Fac Bellas Artes, Conservac Restaurac Bienes Culturales, Barcelona 08028, Spain
基金
欧盟地平线“2020”;
关键词
aged varnish; shellac; oil painting; cleaning; solvent; laser cleaning; laser-induced fluorescence; laser-induced breakdown spectroscopy; ERYAG LASER; REMOVAL; SPECTROSCOPY; CONSERVATION;
D O I
10.3390/heritage6020053
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
The removal of aged varnish on artistic paintings is a delicate intervention and the use of UV laser for this purpose is of special relevance. In particular, the use of nanosecond-pulsed lasers operating at 213 nm has been noted to produce good results in mock-up samples, but it has not been tested in real artworks. In this paper, we report on the application of this procedure for the first time on a contemporary oil easel painting with naturally aged varnish. The obtained results were compared with those achieved using traditional solvents, specifically a mixture of ligroin:acetone. Additionally, hot water was used to remove surface dirt. The performance of the different cleaning procedures was assessed with a range of techniques, including low-power microscopy, UV lamp illumination, laser-induced fluorescence (LIF), and laser-induced breakdown spectroscopy (LIBS). Of the tested treatments, the best performance is obtained by nanosecond laser irradiation at 213 nm using an adequate laser fluence (typically 0.14 J/cm(2)) that allows controlled and efficient removal of the outermost aged varnish layer without affecting the underlying non-aged varnish and paint layers.
引用
收藏
页码:957 / 967
页数:11
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