Emotional valence perception in music and subjective arousal: Experimental validation of stimuli

被引:8
作者
Hofbauer, Lena M. [1 ]
Rodriguez, Francisca S. [1 ]
机构
[1] German Ctr Neurodegenerat Dis DZNE, Res Grp Psychosocial Epidemiol & Publ Hlth, Ellernholzstr 1-2, D-17489 Greifswald, Germany
关键词
Emotional perception; Music perception; Arousal; Individual differences; METAANALYSIS; PERSONALITY; RECOGNITION; INSTRUMENT; MODEL; MOOD; AGE;
D O I
10.1002/ijop.12922
中图分类号
B84 [心理学];
学科分类号
04 ; 0402 ;
摘要
Musical stimuli are widely used in emotion research and intervention studies. However, reviews have repeatedly noted that a lack of pre-evaluated musical stimuli is stalling progress in our understanding of specific effects of varying music. Musical stimuli vary along a plethora of dimensions. Of particular interest are emotional valence and tempo. Thus, we aimed to evaluate the emotional valence of a set of slow and fast musical stimuli. N = 102 (mean age: 39.95, SD: 13.60, 61% female) participants rated the perceived emotional valence in 20 fast (>110 beats per minute [bmp]) and 20 slow (<90 bpm) stimuli. Moreover, we collected reports on subjective arousal for each stimulus to explore arousal's association with tempo and valence. Finally, participants completed questionnaires on demographics, mood (profile of mood states), personality (10-item personality index), musical sophistication (Gold-music sophistication index), and sound preferences and hearing habits (sound preference and hearing habits questionnaire). Using mixed-effect model estimates, we identified 19 stimuli that participants rated to have positive valence and 16 stimuli that they rated to have negative valence. Higher age predicted more positive valence ratings across stimuli. Higher tempo and more extreme valence ratings were each associated with higher arousal. Higher educational attainment was also associated with higher arousal reports. Pre-evaluated stimuli can be used in future musical research.
引用
收藏
页码:465 / 475
页数:11
相关论文
共 30 条
[1]   The German short version of "Profile of mood states" (POMS):: Psychometric evaluation in a representative sample [J].
Albani, C ;
Blaser, G ;
Geyer, M ;
Schmutzer, G ;
Brähler, E ;
Bailer, H ;
Grulke, N .
PSYCHOTHERAPIE PSYCHOSOMATIK MEDIZINISCHE PSYCHOLOGIE, 2005, 55 (07) :324-330
[2]  
Bradley MM, 2000, PSYCHOPHYSIOLOGY, V37, P204, DOI 10.1111/1469-8986.3720204
[3]   AGE AND MUSICAL EXPERTISE INFLUENCE EMOTION RECOGNITION IN MUSIC [J].
Castro, Sao Luis ;
Lima, Cesar F. .
MUSIC PERCEPTION, 2014, 32 (02) :125-142
[4]  
Eerola T., 2012, MUSIC PERCEPTION INT, V30, p307 340
[5]   A comparison of the discrete and dimensional models of emotion in music [J].
Eerola, Tuomas ;
Vuoskoski, Jonna K. .
PSYCHOLOGY OF MUSIC, 2011, 39 (01) :18-49
[6]  
Gabrielsson A., 1996, Psychology of music, V24, P68, DOI [10.1177/0305735696241007, DOI 10.1177/0305735696241007]
[7]   Autonomic Effects of Music in Health and Crohn's Disease: The Impact of Isochronicity, Emotional Valence, and Tempo [J].
Krabs, Roland Uwe ;
Enk, Ronny ;
Teich, Niels ;
Koelsch, Stefan .
PLOS ONE, 2015, 10 (05)
[8]   Affective Priming With Musical Chords is Influenced by Pitch Numerosity [J].
Lahdelma, Imre ;
Armitage, James ;
Eerola, Tuomas .
MUSICAE SCIENTIAE, 2022, 26 (01) :208-217
[9]   Effects of Musical Tempo on Musicians' and Non-musicians' Emotional Experience When Listening to Music [J].
Liu, Ying ;
Liu, Guangyuan ;
Wei, Dongtao ;
Li, Qiang ;
Yuan, Guangjie ;
Wu, Shifu ;
Wang, Gaoyuan ;
Zhao, Xingcong .
FRONTIERS IN PSYCHOLOGY, 2018, 9
[10]   Development and psychometric properties of the sound preference and hearing habits questionnaire (SP-HHQ) [J].
Meis, Markus ;
Huber, Rainer ;
Fischer, Rosa-Linde ;
Schulte, Michael ;
Spilski, Jan ;
Meister, Hartmut .
INTERNATIONAL JOURNAL OF AUDIOLOGY, 2018, 57 :S118-S129