The Hidden Work of Women: Commissioning and Development in British Television Drama

被引:1
|
作者
Peirse, Alison [1 ]
机构
[1] Univ Leeds, Sch Media & Commun, Clothworkers North Bldg, Leeds LS2 9JT, W Yorkshire, England
关键词
Television commissioning; script development; production studies; screenwriting studies; horror television; gender; SCRIPT DEVELOPMENT; FICTION;
D O I
10.1080/14680777.2022.2027804
中图分类号
G2 [信息与知识传播];
学科分类号
05 ; 0503 ;
摘要
The British horror television series Bedlam (2011-2012) was made by RED Productions and created and written by a trio of male screenwriters, David Allison, Neil Jones, and Chris Parker, with RED's Richard Fee as Script Editor. However, this team was supported through the development process, from initial idea to final broadcast, almost exclusively, by women. Drawing on original interviews with practitioners, this article explores the creative contributions of the women working in commissioning and development roles on Bedlam, including Anne Mensah (Vice President of Content UK, Netflix), Caroline Hollick (Head of Drama, Channel 4), Nicola Shindler (Chief Executive, Quay Street Productions) and Claudia Rosencrantz (former Controller of Entertainment, ITV). This research illuminates the work of women who carry out a hidden labour of commissioning and development almost never recognised beyond the television industry itself.
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页码:1460 / 1474
页数:15
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