News, business and politics: Evita in Italy - newsreels and cinema in a shared post-war agenda
被引:0
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作者:
Rey, Ana Lia
论文数: 0引用数: 0
h-index: 0
机构:
Univ Buenos Aires, Fac Ciencias Sociales, Hist Media, Buenos Aires, Argentina
Inst Hist Argentina & Amer Dr Emilio Ravignani, 25 Mayo 217,C1002 ABE, Buenos Aires, ArgentinaUniv Buenos Aires, Fac Ciencias Sociales, Hist Media, Buenos Aires, Argentina
Rey, Ana Lia
[1
,3
]
Rodriguez, Fernando Diego
论文数: 0引用数: 0
h-index: 0
机构:
Univ Buenos Aires, Sch Philosophy & Humanities, Hist, Buenos Aires, Argentina
Inst Hist Argentina & Amer Dr Emilio Ravignani, 25 Mayo 217,C1002 ABE, Buenos Aires, ArgentinaUniv Buenos Aires, Fac Ciencias Sociales, Hist Media, Buenos Aires, Argentina
Rodriguez, Fernando Diego
[2
,3
]
机构:
[1] Univ Buenos Aires, Fac Ciencias Sociales, Hist Media, Buenos Aires, Argentina
[2] Univ Buenos Aires, Sch Philosophy & Humanities, Hist, Buenos Aires, Argentina
[3] Inst Hist Argentina & Amer Dr Emilio Ravignani, 25 Mayo 217,C1002 ABE, Buenos Aires, Argentina
Argentine cinema;
post-war newsreels;
Peronism;
Eva Peron;
Italian immigration;
neorealism;
state propaganda;
Amedeo Nazzari;
D O I:
10.1386/jicms_00219_1
中图分类号:
J9 [电影、电视艺术];
I235 [电影、电视、广播剧];
学科分类号:
摘要:
Eva Peron's trip to Italy in the summer of 1947 has prompted this research about the development of links between the Italian and the Argentine film industries in the years immediately following the Second World War. Our work takes a historical approach to this topic through the analysis of different film types (movies, newsreels and documentaries), supported by other documents derived from periodical publications, such as newspapers and specialized magazines. It concludes that while at the time of Evita's trip there was an economic agreement between both governments that consisted of shipping grains in exchange for encouraging the migration of skilled Italian workers who could carry out the economic plans devised by Peron, in the film industry, there was an attempt to attract top class Italian actors and directors in order to secure the growth of the budding Argentine film industry.