On innovative design of traditional Chinese patterns based on aesthetic experience to product features space mapping

被引:2
作者
Yu-Ming, Ma [1 ]
He-min, Du [2 ]
Hao, Yao [3 ]
机构
[1] City Univ Macau, Fac Innovat & Design, Macau, Peoples R China
[2] Shenzhen Technol Univ, Coll Creat Design, Shenzhen, Peoples R China
[3] Beijing Rail Transit Technol Equipment Grp Co Ltd, Beijing, Peoples R China
来源
COGENT ARTS & HUMANITIES | 2023年 / 10卷 / 02期
关键词
aesthetic experience; features space; mapping; traditional pattern; innovative design; PERCEPTION;
D O I
10.1080/23311983.2023.2286732
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
Consumers' different aesthetic experience affects their choice of products, so how to construct product design features space based on consumers' aesthetic experience, especially how to integrate traditional cultural elements into modern product design, has become one of the most effective ways to improve product design quality.Taking the innovative design of traditional Chinese Miao's patterns on canvas bags as an example, this paper constructs the mapping relationship between consumers' aesthetic experience and product feature space on the basis of analyzing the feature elements of Chinese Miao traditional patterns "Jiuqu River flower", as pronounced in Chinese.Using word cloud semantic tool, this paper analyzes the interview results of three consumer groups, namely, fashion youth, intellectuals and housewives, and obtains the aesthetic expression of three consumer groups on the innovative design of traditional patterns on canvas bags. Based on this, the feature elements of traditional pattern extraction and redesign of "Jiuqujiang River Flower" are used. Three canvas bag styles containing traditional cultural elements were constructed for different perceptual word pairs. Finally, the 7-level semantic difference quantization method of Kansei Engineering was used to quantitatively evaluate the effectiveness of the spatial mapping method of aesthetic experience and product features. The final results showed that the modern product quality of creative design can be effectively improved by integrating with the traditional Chinese cultural elements, on the basis of making the mapping from aesthetic experience to product feature space, so that to meet the consumers' aesthetic needs to the most.
引用
收藏
页数:22
相关论文
共 45 条
  • [1] [Anonymous], 2022, ARISTOTELIAN SOC S, V96, P123, DOI DOI 10.1093/ARISUP/AKAC003
  • [2] Bigeng D., 2022, Shanghai Textile Technology, V50, DOI [https://doi.org/10.16549/j.carolcarrollnki.Issn.1001-2044.2022.08.001, DOI 10.16549/J.CAROLCARROLLNKI.ISSN.1001-2044.2022.08.001]
  • [3] Bjorgvinsson Erling, 2010, P 11 BIENN PART DES, P41, DOI DOI 10.1145/1900441.1900448
  • [4] Chen J., 2019, Packaging Engineering, V40, P162
  • [5] Beyond first impressions: The effects of repeated exposure on consumer liking of visually complex and simple product designs
    Cox, D
    Cox, AD
    [J]. JOURNAL OF THE ACADEMY OF MARKETING SCIENCE, 2002, 30 (02) : 119 - 130
  • [6] Influence of aesthetic perception on visual event-related potentials
    de Tommaso, Marina
    Pecoraro, Carla
    Sardaro, Michele
    Serpino, Claudia
    Lancioni, Giulio
    Livrea, Paolo
    [J]. CONSCIOUSNESS AND COGNITION, 2008, 17 (03) : 933 - 945
  • [7] Dermawan D., 2023, Jurnal Teknik Industri Terintegrasi (JUTIN), V6, P14, DOI [https://doi.org/10.31004/jutin.v6i1.14071, DOI 10.31004/JUTIN.V6I1.14071]
  • [8] Art infusion: The influence of visual art on the perception and evaluation of consumer products
    Hagtvedt, Henrik
    Patrick, Vanessa M.
    [J]. JOURNAL OF MARKETING RESEARCH, 2008, 45 (03) : 379 - 389
  • [9] Hanneke Houtkoop-Steenstra, 2004, Interaction and the Standardized survey interview
  • [10] Johnson RobertR., 1998, User-centered Technology: A Rhetorical Theory for Computers and Other Mundane Artifacts