The Archaeology of Seeing. Science and Interpretation, the Past and Contemporary Visual Art

[1] Anati E., 2019, Expression, V23, P7

[2] Anati E., 2015, The Genesis of Creativity and the Origin of the Human Mind, P219

[3] Azema M., 2011, La Prehistorie du Cinema: Origin paleolithiques de la narration graphique et du cinemato�graphe

[4] Bogartti J. M., 2008, World Art Studies: Exploring Concepts and Approaches, P303

[5] Bradley Richard., 2009, IMAGE AUDIENCE RETHI

[6] Guthrie DaleR., 2006, NATURE PALEOLITHIC A

[7] Middle stone age shell beads from South Africa [J]. SCIENCE, 2004, 304 (5669) : 404 - 404

[8] Engraved ochres from the Middle Stone Age levels at Blombos Cave, South Africa [J]. JOURNAL OF HUMAN EVOLUTION, 2009, 57 (01) : 27 - 47

[9] Toward decolonizing gender - Female vision in the upper paleolithic [J]. AMERICAN ANTHROPOLOGIST, 1996, 98 (02) : 319 - &

[10] Self-representation in upper paleolithic female figurines [J]. CURRENT ANTHROPOLOGY, 1996, 37 (02) : 227 - 275

[1] Anati E., 2019, Expression, V23, P7

[2] Anati E., 2015, The Genesis of Creativity and the Origin of the Human Mind, P219

[3] Azema M., 2011, La Prehistorie du Cinema: Origin paleolithiques de la narration graphique et du cinemato�graphe

[4] Bogartti J. M., 2008, World Art Studies: Exploring Concepts and Approaches, P303

[5] Bradley Richard., 2009, IMAGE AUDIENCE RETHI

[6] Guthrie DaleR., 2006, NATURE PALEOLITHIC A

[7] Middle stone age shell beads from South Africa [J]. SCIENCE, 2004, 304 (5669) : 404 - 404

[8] Engraved ochres from the Middle Stone Age levels at Blombos Cave, South Africa [J]. JOURNAL OF HUMAN EVOLUTION, 2009, 57 (01) : 27 - 47

[9] Toward decolonizing gender - Female vision in the upper paleolithic [J]. AMERICAN ANTHROPOLOGIST, 1996, 98 (02) : 319 - &

[10] Self-representation in upper paleolithic female figurines [J]. CURRENT ANTHROPOLOGY, 1996, 37 (02) : 227 - 275