Shakespeare from the Bottom: Transnationalism, Unfounded Whiteness, and the First Folio

[1] Adams Brandi K., 2021, Shakespeare / Text: Contemporary Readings in Textual Studies, Editing and Performance, P37

[2] Adelman Janet., 2008, The Merchant of Venice, P78

[3] [Anonymous], Re-Historicizing Race, P93

[4] Borges Jorge Luis, 2000, Selected Poems, V2, P89

[5] Burnett MT, 2013, SHAKESPEARE AND WORLD CINEMA, P1

[6] Dani N. D, 2013, Labyrinth: An International Refereed Journal of Postmodern Studies, V4, P14

[7] De Grazia Margreta., 1991, Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus

[8] DEGRAZIA M, 1993, SHAKESPEARE QUART, V44, P256

[9] Dyer Richard., 1997, White: Essays on Race and Culture, P39

[10] Dyer Richard, 1993, The Matter of Images: Essays on Representation, P4

[1] Adams Brandi K., 2021, Shakespeare / Text: Contemporary Readings in Textual Studies, Editing and Performance, P37

[2] Adelman Janet., 2008, The Merchant of Venice, P78

[3] [Anonymous], Re-Historicizing Race, P93

[4] Borges Jorge Luis, 2000, Selected Poems, V2, P89

[5] Burnett MT, 2013, SHAKESPEARE AND WORLD CINEMA, P1

[6] Dani N. D, 2013, Labyrinth: An International Refereed Journal of Postmodern Studies, V4, P14

[7] De Grazia Margreta., 1991, Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus

[8] DEGRAZIA M, 1993, SHAKESPEARE QUART, V44, P256

[9] Dyer Richard., 1997, White: Essays on Race and Culture, P39

[10] Dyer Richard, 1993, The Matter of Images: Essays on Representation, P4