Stunt performers' reluctance to self-report head trauma: a qualitative study

被引:1
作者
Russell, Jeffrey A. [1 ,6 ]
Beverly, Elizabeth A. [2 ]
Stewart, Lori J. [3 ]
Mcmichael, Leslie P. [4 ]
Senn, Ariana B. [1 ,5 ]
机构
[1] Ohio Univ, Coll Hlth Sci & Profess, Div Athlet Training, Lab Sci & Hlth Artist Performance, Athens, OH 45701 USA
[2] Ohio Univ, Heritage Coll Osteopath Med, Athens, OH USA
[3] Union British Columbia Performers ACTRA, Vancouver, BC, Canada
[4] White Wing Enterprises Ltd, Cochrane, AB, Canada
[5] Feld Entertainment Inc, Palmetto, FL USA
[6] Ohio Univ, Grover Ctr E182, Sch Appl Hlth Sci & Wellness, Athens, OH 45701 USA
关键词
Head trauma; Head injuries; Occupational; Stunt performers; Concussion; Traumatic brain injury; Brain injuries; mTBI; Commotio cerebri; CONCUSSION; DANCERS; SPORT;
D O I
10.1186/s12995-024-00401-0
中图分类号
R1 [预防医学、卫生学];
学科分类号
1004 ; 120402 ;
摘要
BackgroundMild traumatic brain injuries receive voluminous attention in the research literature, but this is confined almost entirely to sports and military contexts. As an occupation, performing stunts in film, television, and entertainment places the head at high risk of repetitive impact and whiplash, but stunt performers do not enjoy the same level of healthcare supervision and access as that provided to sports participants. Therefore, the aim of this study was to evaluate stunt performers' qualitative perceptions of reporting and management of head trauma in their industry.MethodsAfter giving their informed consent, 87 motion picture and television stunt performers responded to a query about their views of ways to improve how stunt performers' occupational head trauma-specifically head impacts and head whips that could cause a concussion-are reported and managed. We analyzed their responses via content and thematic analyses. Two researchers independently marked and categorized key words, phrases, and texts to identify codes that described participants' comments. They then revised, discussed, and resolved coding discrepancies through consensus to establish inter-coder reliability. Next, we identified thematic patterns that described participants' understanding of the stunt performer industry and what must change to facilitate reporting of head trauma. We derived themes from data that occurred multiple times, both within and across short answer responses.ResultsWe identified three primary themes cited by the stunt performers as needs in their industry: (1) Need to Reduce the Stigma of Reporting a Stunt-Related Injury, (2) Need to Eliminate the "Cowboy Culture," and (3) Need to Improve the Quality of the Work Environment.ConclusionsStunt performers are crucial members of a global entertainment industry valued at approximately US$100 billion annually. A large segment of the world's population consumes their work in motion pictures, television, and live entertainment. When they are given an anonymous opportunity to speak, stunt performers offer insight into and recommendations for industry changes-primarily cultural and educational in nature-that could improve their physical and mental health, career longevity, and employability when they are confronted with head trauma.
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