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THE BIRTH OF MUSIC FROM THE SPIRIT OF BINGE DRINKING: DRY VERSUS DRUNK MOSCOW IN THE MOVIE "TAXI BLUES" BY P. LUNGIN
被引：0
|作者：
Perusko, Ivana
[1
]
机构：
[1] Univ Zagreb, Fac Humanities & Social Sci, Zagreb, Croatia
来源：
ZBORNIK MATICE SRPSKE ZA SLAVISTIKU-MATICA SRPSKA JOURNAL OF SLAVIC STUDIES
|
2023年
/
103卷
关键词：
P;
Lungin;
Taxy blues;
mystical booze;
intoxication;
Dionysian world-view;
alcohol-effect;
D O I：
10.18485/ms_zmss.2023.103.15
中图分类号：
H [语言、文字];
学科分类号：
05 ;
摘要：
The text explores the alcohol-effect (G. Deleuze) in the movie "Taxy blues" (1990) by Pavel Lungin. Alcohol allows to the main movie character, a jazz musician Lesha, to escape from the world (into apostasy), but on the other hand, the alcohol-effect helps his reconciliation with the Self, as it was described in F. Nietzsche's The Birth of Tragedy: Out of the Spirit of Music. By playing jazz on his saxophone, the Dionysian Lesha embodies the original sorrow and its echo, as stated Nietzsche. Sobriety becomes almost a negative category in Lungin's movie. It can be compared to the ideas of A. Zinoviev, who saw the drunkenness as a path that leads to spirituality.
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页码：231 / 242
页数：12
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