UK Music before and after Covid-19

被引:4
作者
Osborne, Richard [1 ,2 ]
机构
[1] Middlesex Univ, Mus, London, England
[2] Middlesex Univ, Mus, London NW4 4BT, England
关键词
UK Music; music industry; Covid-19; lobbying; streaming;
D O I
10.1080/10286632.2023.2214151
中图分类号
G [文化、科学、教育、体育]; C [社会科学总论];
学科分类号
03 ; 0303 ; 04 ;
摘要
This article analyses the statistical reporting of UK Music, the umbrella organization that provides a collective voice for British music industry trade bodies. It documents changes in methodology from the organization's earliest reports, which provide financial data for each industry sector and use the prosperity of the business as a platform from which to lobby, to the reports for the years of the COVID-19 pandemic, which turn away sectoral information to argue that the industry is an ecosystem and music is beneficial for national well-being. In the process, UK Music submerges evidence that record companies and music publishers fared well during the pandemic while music creators and live music industry workers suffered greatly. As well as uncovering this information, this article considers why it has been neglected. It has enabled UK Music to lobby for actions that work across the industry and sidestep arguments that music creators should receive a greater share of remuneration. It has also helped to keep UK Music intact.
引用
收藏
页码:377 / 391
页数:15
相关论文
共 43 条
  • [1] AIM (Association of Independent Music), 2023, WHAT IS AIM
  • [2] Anderson T., 2004, GIVING MUSIC ITS DUE
  • [3] "As MW Campaign Approaches its First Deadline What Next for Gowers' Team?", 2006, MUSIC WEEK, V22, P13
  • [4] Ashton R., 2006, MUSIC WEEK, V16, P4
  • [5] Ashton R., 2008, MUSIC WEEK, V1, P16
  • [6] Behr A., 2021, MUSIC NUMBERS USE AB, P104
  • [7] BMR (British Music Rights), 2008, UK MUS BIRTH
  • [8] BPI (British Phonographic Industry), 2023, ABOUT US
  • [9] BPI (British Phonographic Industry), 2020, EMS0208 BPI DCMS
  • [10] Cloonan Martin., 2007, POPULAR MUSIC STATE