User-Guided Personalized Image Aesthetic Assessment Based on Deep Reinforcement Learning

被引:26
作者
Lv, Pei [1 ]
Fan, Jianqi [1 ]
Nie, Xixi [1 ]
Dong, Weiming [2 ,3 ]
Jiang, Xiaoheng [1 ]
Zhou, Bing [1 ]
Xu, Mingliang [1 ]
Xu, Changsheng [2 ,3 ]
机构
[1] Zhengzhou Univ, Sch Comp & Artificial Intelligence, Zhengzhou 450001, Peoples R China
[2] Chinese Acad Sci, NLPR, Inst Automat, Beijing 100864, Peoples R China
[3] Univ Chinese Acad Sci, Beijing 100049, Peoples R China
关键词
Image enhancement; Task analysis; Reinforcement learning; Feature extraction; Visualization; Training; Neural networks; Deep reinforcement learning; image aesthetic assessment; personalized aesthetic distribution; personalized image enhancement; user interaction; QUALITY ASSESSMENT; NEURAL-NETWORKS; PHOTO; CLASSIFICATION; ENHANCEMENT;
D O I
10.1109/TMM.2021.3130752
中图分类号
TP [自动化技术、计算机技术];
学科分类号
0812 ;
摘要
Personalized image aesthetic assessment (PIAA) has recently become a hot topic due to its wide applications, such as photography, film, television, e-commerce, fashion design, and so on. This task is more seriously affected by subjective factors and samples provided by users. In order to acquire precise personalized aesthetic distribution by small amount of samples, we propose a novel user-guided personalized image aesthetic assessment framework. This framework leverages user interactions to retouch and rank images for aesthetic assessment based on deep reinforcement learning (DRL), and generates personalized aesthetic distribution that is more in line with the aesthetic preferences of different users. It mainly consists of two stages. In the first stage, personalized aesthetic ranking is generated by interactive image enhancement and manual ranking, meanwhile, two policy networks will be trained. These two networks will be trained iteratively and alternatively to facilitate the final personalized aesthetic assessment. In the second stage, these modified images are labeled with aesthetic attributes by one style-specific classifier, and then the personalized aesthetic distribution is generated based on the multiple aesthetic attributes of these images, which conforms to the aesthetic preference of users better. Compared with other existing methods, our approach has achieved new state-of-the-art in the task of personalized image aesthetic assessment on the public AVA and FLICKR-AES datasets.
引用
收藏
页码:736 / 749
页数:14
相关论文
共 80 条
[1]   A dynamic histogram equalization for image contrast enhancement [J].
Abdullah-Al-Wadud, M. ;
Kabir, Md. Hasanul ;
Dewan, M. Ali Akber ;
Chae, Oksam .
IEEE TRANSACTIONS ON CONSUMER ELECTRONICS, 2007, 53 (02) :593-600
[2]  
Bhattacharya S., 2010, P 18 ACM INT C MULTI, P271
[3]   Personalized Image Enhancement Using Neural Spline Color Transforms [J].
Bianco, Simone ;
Cusano, Claudio ;
Piccoli, Flavio ;
Schettini, Raimondo .
IEEE TRANSACTIONS ON IMAGE PROCESSING, 2020, 29 (29) :6223-6236
[4]   Contrast enhancement of brightness-distorted images by improved adaptive gamma correction [J].
Cao, Gang ;
Huang, Lihui ;
Tian, Huawei ;
Huang, Xianglin ;
Wang, Yongbin ;
Zhi, Ruicong .
COMPUTERS & ELECTRICAL ENGINEERING, 2018, 66 :569-582
[5]   Learning to Compose with Professional Photographs on the Web [J].
Chen, Yi-Ling ;
Klopp, Jan ;
Sun, Min ;
Chien, Shao-Yi ;
Ma, Kwan-Liu .
PROCEEDINGS OF THE 2017 ACM MULTIMEDIA CONFERENCE (MM'17), 2017, :37-45
[6]   Personalized image quality assessment with Social-Sensed aesthetic preference [J].
Cui, Chaoran ;
Yang, Wenya ;
Shi, Cheng ;
Wang, Meng ;
Nie, Xiushan ;
Yin, Yilong .
INFORMATION SCIENCES, 2020, 512 :780-794
[7]   Distribution-Oriented Aesthetics Assessment With Semantic-Aware Hybrid Network [J].
Cui, Chaoran ;
Liu, Huihui ;
Lian, Tao ;
Nie, Liqiang ;
Zhu, Lei ;
Yin, Yilong .
IEEE TRANSACTIONS ON MULTIMEDIA, 2019, 21 (05) :1209-1220
[8]  
Cui Chaoran, 2020, TOMM, V16, P1
[9]  
Datta R, 2006, LECT NOTES COMPUT SC, V3953, P288, DOI 10.1007/11744078_23
[10]   Aesthetic-Driven Image Enhancement by Adversarial Learning [J].
Deng, Yubin ;
Loy, Chen Change ;
Tang, Xiaoou .
PROCEEDINGS OF THE 2018 ACM MULTIMEDIA CONFERENCE (MM'18), 2018, :870-878