Medieval mural painting: A look through the centuries

被引：2
|
作者：
Philippova, O. S. [1 ]
Dmitriev, A. Yu. [1 ]
Tsarevskaya, T. J. [2 ]
Makarova, A-M. L. [3 ,4 ]
Grebenshchikova, A. B. [4 ]
机构：
[1] Joint Inst Nucl Res, Dubna, Russia
[2] State Inst Art Studies, Moscow, Russia
[3] HSE Univ, Moscow, Russia
[4] Interreg Agcy Sci Restorat Works Art, Moscow, Russia
来源：
JOURNAL OF CULTURAL HERITAGE | 2023年 / 62卷
关键词：
Old Russian murals; Pigments; Change in coloration; Digital reconstruction; Multi-analytical investigation; MONASTERY; PIGMENTS; NOVGOROD;
D O I：
10.1016/j.culher.2023.07.004
中图分类号：
K85 [文物考古];
学科分类号：
0601 ;
摘要：
A number of the monuments among the rich heritage of Old Russian wall painting carries traces of pigment degradation. These changes convert the overall coloration, and thus create new, but in reality, false effects of artistic perception, far away from the author's conception. The group of specialists investigated the wall paintings of five medieval Russian monuments of the 12th-16th centuries. Comprehensive studies using various physico-chemical methods data provide an opportunity to determine the composition of pigments used by the artists. Digital technology helped to reconstruct and visualize the supposed original view of old works of art.& COPY; 2023 Consiglio Nazionale delle Ricerche (CNR). Published by Elsevier Masson SAS. All rights reserved.
引用
收藏
页码：460 / 469
页数：10
相关论文
共 43 条
  • [31] Wall paintings through the ages: the medieval period (Italy, twelfth to fifteenth century)
    Murat, Zuleika
    ARCHAEOLOGICAL AND ANTHROPOLOGICAL SCIENCES, 2021, 13 (11)
  • [32] Medieval Oradea in the Writings of Foreign Travelers (11th-17th centuries)
    Chiriac, Aurel
    TRANSYLVANIAN REVIEW, 2014, 23 : 77 - 88
  • [33] Dating painting events through by-products of ochre processing: Borologa 1 Rockshelter, Kimberley, Australia
    David, Bruno
    Delannoy, Jean-Jacques
    Petchey, Fiona
    Gunn, Robert
    Huntley, Jillian
    Veth, Peter
    Genuite, Kim
    Skelly, Robert J.
    Mialanes, Jerome
    Harper, Sam
    Ouzman, Sven
    Heaney, Pauline
    Wong, Vanessa
    AUSTRALIAN ARCHAEOLOGY, 2019, 85 (01) : 57 - 94
  • [34] The dome of Rotunda in Thessaloniki: Investigation of a multi-pictorial phase wall painting through analytical methods
    Malletzidou, Lamprini
    Zorba, Triantafyllia T.
    Kyranoudi, Maria
    Mastora, Pelli
    Karfaridis, Dimitrios
    Vourlias, George
    Pavlidou, Eleni
    Paraskevopoulos, Konstantinos M.
    SPECTROCHIMICA ACTA PART A-MOLECULAR AND BIOMOLECULAR SPECTROSCOPY, 2021, 262 (262)
  • [35] Identifying Original and Restoration Materials through Spectroscopic Analyses on Saturnino Gatti Mural Paintings: How Far a Noninvasive Approach Can Go
    Bonizzoni, Letizia
    Caglio, Simone
    Galli, Anna
    Germinario, Chiara
    Izzo, Francesco
    Magrini, Donata
    APPLIED SCIENCES-BASEL, 2023, 13 (11):
  • [36] An innovative, interdisciplinary, and multi-technique study of gilding and painting techniques in the decoration of the main altarpiece of Miranda do Douro Cathedral (XVII-XVIIIth centuries, Portugal)
    Anca Sandu, Irina Crina
    Murta, Elsa
    Veiga, Rita
    Muralha, Vania Solange F.
    Pereira, Manuel
    Kuckova, Stepanka
    Busani, Tito
    MICROSCOPY RESEARCH AND TECHNIQUE, 2013, 76 (07) : 733 - 743
  • [37] Raman and Fourier transform infrared microspectroscopies reveal medieval Hispano-Muslim wood painting techniques and provide new insights into red lead production technology
    Arjonilla, Paz
    Dominguez-Vidal, Ana
    Correa-Gomez, Elena
    Jose Domene-Ruiz, Maria
    Jose Ayora-Canada, Maria
    JOURNAL OF RAMAN SPECTROSCOPY, 2019, 50 (10) : 1537 - 1545
  • [38] THE ORIGIN OF THE MEDIEVAL POPULATION OF THE NOVGOROD REPUBLIC) (10TH-13TH CENTURIES): A CRANIOMETRIC ANALYSIS
    Sankina, S. L.
    ARCHAEOLOGY ETHNOLOGY AND ANTHROPOLOGY OF EURASIA, 2009, 37 (03) : 152 - 157
  • [39] Territorial Strategies of a Monastic Power in Medieval Galicia: Celanova (10th-12th Centuries)
    Sanchez Pardo, Jose Carlos
    STUDIA HISTORICA-HISTORIA MEDIEVAL, 2010, 28 : 155 - 178
  • [40] A methodological approach to study the stability of selected watercolours for painting reintegration, through reflectance spectrophotometry, Fourier transform infrared spectroscopy and hyperspectral imaging
    Pelosi, Claudia
    Capobianco, Giuseppe
    Agresti, Giorgia
    Bonifazi, Giuseppe
    Morresi, Fabio
    Rossi, Sara
    Santamaria, Ulderico
    Serranti, Silvia
    SPECTROCHIMICA ACTA PART A-MOLECULAR AND BIOMOLECULAR SPECTROSCOPY, 2018, 198 : 92 - 106
12345