Incidental learning in music reading: The music contingency learning task

被引:3
作者
Iorio, Claudia [1 ]
Saban, Iva [1 ]
Poulin-Charronnat, Benedicte [1 ]
Schmidt, James R. [1 ]
机构
[1] Univ Bourgogne Franche Comte, LEAD CNRS UMR5022, 11 Esplanade Erasme, F-21000 Dijon, France
关键词
Music cognition; sight reading; contingency learning; incidental learning; musical Stroop; stimulus-response compatibility; ARTIFICIAL GRAMMAR; INTERFERENCE; AUTOMATICITY; ASSOCIATIONS; ACQUISITION; PERCEPTION; ATTENTION; AWARENESS; COGNITION; NOTATION;
D O I
10.1177/17470218221092779
中图分类号
B84 [心理学];
学科分类号
04 ; 0402 ;
摘要
The present report investigated whether nonmusicians can incidentally learn musical skills needed for sight-reading. On each trial, participants identified a note name written inside of a note on the musical staff. In Experiment 1, each note was presented frequently with the congruent note name (e.g., "do" with the note for "do") and rarely with the incongruent names (e.g., "do" with the note for "fa"). With or without deliberate learning instructions, a robust contingency learning effect was observed: faster responses for congruent trials compared with incongruent trials. Participants also explicitly identified the meaning of the note positions more accurately than chance. Experiment 2 ruled out the potential influence of preexisting knowledge on the contingency learning effect by presenting notes most often with an incongruent note name. Robust learning was again observed, suggesting that participants acquired sufficient knowledge of musical notation to produce automatic influences on behaviour (e.g., akin to the interference effect previously found in skilled musicians). A congruency effect was additionally observed in Experiment 2, however. Experiment 3 further explored to what extent this congruency effect might be due to prior music knowledge and/or spatial stimulus-response compatibility between note and response locations (analogous to the SMARC effect). Overall, our results open up new avenues for investigating the incidental learning of complex material, musical or otherwise, and for reinforcing learning even further.
引用
收藏
页码:429 / 449
页数:21
相关论文
共 106 条
  • [1] Spatial-musical association of response codes without sound
    Ariga, Atsunori
    Saito, Shiori
    [J]. QUARTERLY JOURNAL OF EXPERIMENTAL PSYCHOLOGY, 2019, 72 (09) : 2288 - 2301
  • [2] Computation of conditional probability statistics by 8-month-old infants
    Aslin, RN
    Saffran, JR
    Newport, EL
    [J]. PSYCHOLOGICAL SCIENCE, 1998, 9 (04) : 321 - 324
  • [3] Automaticity of Word Reading: Evidence From the Semantic Stroop Paradigm
    Augustinova, Maria
    Ferrand, Ludovic
    [J]. CURRENT DIRECTIONS IN PSYCHOLOGICAL SCIENCE, 2014, 23 (05) : 343 - 348
  • [4] Barry N.H., 2007, Contributions to Music Education, V34, P51
  • [5] Barry Nancy., 1992, Psychology of Music, V20, P112, DOI DOI 10.1177/0305735692202002
  • [6] Bigand E, 1998, CAH PSYCHOL COGN, V17, P577
  • [7] Domain-specific learning of grammatical structure in musical and phonological sequences
    Bly, Benjamin Martin
    Carrion, Ricardo E.
    Rasch, Bjoern
    [J]. MEMORY & COGNITION, 2009, 37 (01) : 10 - 20
  • [8] Incidental learning of temporal structures conforming to a metrical framework
    Brandon, Melissa
    Terry, Josephine
    Stevens, Catherine J.
    Tillmann, Barbara
    [J]. FRONTIERS IN PSYCHOLOGY, 2012, 3
  • [9] Auditory imagery from musical notation in expert musicians
    Brodsky, W
    Henik, A
    Rubinstein, BS
    [J]. PERCEPTION & PSYCHOPHYSICS, 2003, 65 (04): : 602 - 612
  • [10] The mental representation of music notation: Notational audiation
    Brodsky, Warren
    Kessler, Yoav
    Rubinstein, Bat-Sheva
    Ginsborg, Jane
    Henik, Avishai
    [J]. JOURNAL OF EXPERIMENTAL PSYCHOLOGY-HUMAN PERCEPTION AND PERFORMANCE, 2008, 34 (02) : 427 - 445