FROM WORD TO PERFORMANCE: MEMORY AND FICTION IN TRAP

The article aimed to analyze the configurations of Trap in Brazil under the bias of the construction of memory and fiction in the productions of this musical genre. In view of this, the research emerges from the following problem: how does Trap present reconfigurations of peripheral art, based on memorialistic and fictional construction? To do so, at first it discusses what it is to be from the periphery and peripheral art, taking as a starting point the musical genre under analysis. Soon after, it addresses memory in Trap productions as a factor of identity, of taking up spaces and of continuity of life. Finally, the fictional act present in different artistic productions of Trap is analyzed. Therefore, it constituted a bibliographic study, qualitative and exploratory in terms of objectives. From the investigation, it was understood the formation of Trap in Brazil and its presentation of a new enunciation of the black people, no longer in a marginalized and oppressive position, but boasting the spaces and objects that were previously denied to them.