Promotional Effects of Recorded Music and Superstars on Concert Financial Outcomes

被引:1
作者
Hogue, Eric [1 ]
机构
[1] Emerson Coll, 120 Boylston St, Boston, MA 02116 USA
关键词
Music industry; music streaming; industry disruption; public performance; POPULAR-MUSIC; ECONOMICS;
D O I
10.1177/02601079231168750
中图分类号
F [经济];
学科分类号
02 ;
摘要
Using a comprehensive data set of hand-collected observations of top touring performing artists, I examine the complementary relationship between recorded music and concert financial outcomes. I find that music streaming derives substantive financial benefit to the top 100 touring artists as a means to promote their live performances. Using empirical estimates from a panel model with artist fixed effects, an artist can derive an incremental $46K to $49K per show when achieving a 20% increase in music streaming. Additionally, using a 2SLS model with artist fixed effects to account for potential endogenous promotional effects, I identify top performers (or 'superstars') who derive significant additional concert revenue because of their back catalogue of hit songs. These top performers earn an incremental $15K per show for every week they have a song from their catalogue in the Billboard Top 20. These findings indicate that artists can use their legacy to build lifelong earnings from their music and performances.JEL Classifications: D12, D22, L82, Z10
引用
收藏
页码:166 / 203
页数:38
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