LUIS EDUARDO AUTE AND THE (POST)MEMORY AROUND THE BATTLE OF MANILA IN WORLD WAR II

被引:0
作者
Ortuno Casanova, Rocio [1 ,2 ]
机构
[1] Univ Alcala, Madrid, Spain
[2] Univ Antwerp, Antwerp, Belgium
来源
SIGNA-REVISTA DE LA ASOCIACION ESPANOLA DE SEMIOTICA | 2024年 / 33卷
关键词
Luis Eduardo Aute; Songwriting; Memory; Trauma; Philippines; WORLD WAR II; HISTORICAL MEMORY;
D O I
10.5944/signa.vol33.2024.38823
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
This article revisits the trilogy of works produced by Luis Eduardo Aute in 2012 about his experience in post-World War II Manila: the short film El nino y el basilisco, the album El nino que miraba el mar and the comic El nino y el basilisco. The works are presented as continuing two traditions, that of cultural production on historical memory in Spain and that of testimonies on World War II in Manila. The singularity of these works as an immersive, transmedia, and elaborated expression of the traumatic experience is highlighted.
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页码:223 / 242
页数:20
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