The platformization of consumer culture: A theoretical framework

被引:10
作者
Caliandro, Alessandro [1 ,5 ]
Gandini, Alessandro [2 ]
Bainotti, Lucia [3 ]
Anselmi, Guido [4 ]
机构
[1] Univ Pavia, Pavia, Italy
[2] Univ Milan, Milan, Italy
[3] Univ Amsterdam, Amsterdam, Netherlands
[4] Univ Catania, Catania, Italy
[5] Univ Pavia, Dept Polit & Social Sci, Str Nuova 65, I-27100 Pavia, Italy
关键词
Consumer culture; digital consumer imaginary; platformization; surveillance capitalism; theoretical framework; SOCIAL MEDIA; CO-CREATION; BIG DATA; POLITICS; SURVEILLANCE; CONSUMPTION; VISIBILITY; DYNAMICS; AUDIENCE; MARKETS;
D O I
10.1177/14705931231225537
中图分类号
F [经济];
学科分类号
02 ;
摘要
This special issue, together with this position paper that accompanies it, aims at providing a comprehensive framework to address this issue, introducing and theorizing the concept of platformization of consumer culture. The overarching scope of this essay is to discuss what is distinctive of the process of platformization in relation to consumer culture (and research); what are its most important aspects, its critical controversies, its innovative dimensions and main risks. Accompanying this positional essay are the seven exceptional contributions that compose the special issue, which we believe will come to represent a pivotal reference in the quest to address this phenomenon. These showcase the manifold empirical, semantic and methodological dimensions of this emergent phenomenon, concurring to define the key dimensions that identify, describe, and explore the ways in which consumer culture has been "platformized," from the perspective of consumer culture theory. Specifically, we identify four key "tensions" characterizing the platformization of consumer culture: datafication vs liquification; standardization vs ephemerality; interaction vs mediation; immateriality vs materiality.
引用
收藏
页码:3 / 21
页数:19
相关论文
共 127 条
[1]  
Abidin Crystal., 2021, Critical Meme Reader: Global Mutations of the Viral Image, P58
[2]   Follow the algorithm: An exploratory investigation of music on YouTube [J].
Airoldi, Massimo ;
Beraldo, Davide ;
Gandini, Alessandro .
POETICS, 2016, 57 :1-13
[3]   Algorithmic consumer culture [J].
Airoldi, Massimo ;
Rokka, Joonas .
CONSUMPTION MARKETS & CULTURE, 2022, 25 (05) :411-428
[4]   Digital traces of taste: methodological pathways for consumer research [J].
Airoldi, Massimo .
CONSUMPTION MARKETS & CULTURE, 2021, 24 (01) :97-117
[5]  
Arnould E.J., 2018, CONSUMER CULTURE THE
[6]   Consumer culture theory (CCT): Twenty years of research [J].
Arnould, EJ ;
Thompson, CJ .
JOURNAL OF CONSUMER RESEARCH, 2005, 31 (04) :868-882
[7]  
Arvidsson A., 2019, Changemakers: The Industrial Future of the Digital Economy
[8]   Facebook and Finance: On the Social Logic of the Derivative [J].
Arvidsson, Adam .
THEORY CULTURE & SOCIETY, 2016, 33 (06) :3-23
[9]   Brand Public [J].
Arvidsson, Adam ;
Caliandro, Alessandro .
JOURNAL OF CONSUMER RESEARCH, 2016, 42 (05) :727-748
[10]   Crowds and value. Italian Directioners on Twitter [J].
Arvidsson, Adam ;
Caliandro, Alessandro ;
Airoldi, Massimo ;
Barina, Stefania .
INFORMATION COMMUNICATION & SOCIETY, 2016, 19 (07) :921-939