Icons, Saints, and Society in Svaneti

被引:0
作者
Eastmond, Antony [1 ]
机构
[1] Courtauld Inst Art, London, England
来源
CONVIVIUM-EXCHANGES AND INTERACTIONS IN THE ARTS OF MEDIEVAL EUROPE BYZANTIUM AND THE MEDITERRANEAN | 2023年 / 10卷
关键词
anthropology of icons; Archangel Michael; Byzantine art; cult of saints; Georgian art; icons; Prophet Jonah; St George; St K'virik'e (Quiricus);
D O I
暂无
中图分类号
I [文学]; K [历史、地理];
学科分类号
05 ; 06 ;
摘要
Saints in Svaneti are best understood as "distributed persons", and icons are the most important of several instruments through they can act. Icons were a significant feature in the society of Svaneti, and the region's repositories preserve the largest collection of early medieval icons outside St Catherine's Monastery on Mount Sinai. Icons were active agents in society, and oaths sworn in front of them held special force. The use of toponymical epithets tying saints - especially Saints George and K'virik'e (Quiricus), the Archangel Michael, and the prophet Jonah - to particular villages and communes in Svaneti shows how cults were fragmented across the region to provide distinct, localised identities for particular saints. Saints could also manifest themselves by other means, including through objects varying from pre -altar crosses to weapons, and through their incorporeal presence in specific holy places marked on the landscape.
引用
收藏
页数:24
相关论文
共 48 条
[1]  
Akhalashvili Mamuka, 1987, x-xv ss ts'arts'erebi svanetis ch'eduri khelovnebis dzeglebze., P31
[2]  
Allen William E. D., 1937, Georgica, V4, P135
[3]  
[Anonymous], 1912, The Quest, V3, P528
[4]  
Bacci Michele, 2016, The Medieval South Caucasus: Artistic Cultures of Albania, Armenia and Georgia, P207
[5]  
Bakradze Dimitri, 1864, Zapiski Kavkazskogo otdela Imperatorskogo Russkogo geograficeskogo obsestva, Vvi, P19
[6]  
Bardavelidze Vera, 1938, Materials for the Ethnography of Georgia, V1, P5
[7]  
Belokurov Sergei, 1888, Materials for Russian History., P333
[8]  
Belting Hans, 1994, Likeness and Presence. A History of the Image before the Era of Art, P308
[9]  
Bukhrashvili Paata, 2002, Amirani, VVI, P7
[10]  
Burchuladze Nana, 2016, Georgian Icons., P142