The drunken song. Intoxication, performativity and the aesthetics of the pleasant in the finale of Beethoven's Ninth Symphony

被引:0
作者
Stollberg, Arne [1 ]
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[1] Humboldt Univ, Inst Musikwissensch & Medienwissensch, Hist Musikwissensch, Berlin, Germany
来源
MUSIKTHEORIE | 2023年 / 38卷 / 01期
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J6 [音乐];
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页码:17 / 28
页数:12
相关论文
共 42 条
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  • [2] [Anonymous], DIGITALISAT TRANSKRI
  • [3] [Anonymous], 1991, FEMININE ENDLINGS MU
  • [4] [Anonymous], 2009, WELTANSCHOUUNGSMUSIK, P62
  • [5] Baensch Otto, 1930, SCHRIFTEN STRARBURGE, V11, P80
  • [6] Beethoven, 1993, NACHGELASSENE SCHRIF, V1/1, P172
  • [7] Cook Nicholas, 1993, BEETHOVEN SYMPHONY 9, P93
  • [8] Eichhorn Andreas, 1993, KASSELER SCHRIFTEN M, V3, P88
  • [9] Fischer-Lichte Erika, 2003, THEATRALITAT, V4
  • [10] Gumbrecht, 2004, PRODUCTION PRESENCE