A systematic review of music-induced substance craving

被引:11
|
作者
Silverman, Michael J. [1 ]
Bourdaghs, Sonia [1 ]
Abbazio, Jessica [1 ]
Riegelman, Amy [1 ]
机构
[1] Univ Minnesota, Minneapolis, MN 55455 USA
关键词
music; substance; craving; urge; desire; systematic review; ALCOHOL EXPECTANCY STRENGTH; CUE EXPOSURE THERAPY; VIRTUAL-REALITY; NEGATIVE AFFECT; DETOXIFICATION UNIT; INITIAL VALIDATION; MOOD MANIPULATION; POPULAR-MUSIC; SMOKING; DRUG;
D O I
10.1177/10298649211030314
中图分类号
J6 [音乐];
学科分类号
摘要
Background: Conditioning- and cue-induced craving theories indicate that music has the potential to induce substance craving. A better understanding of this phenomenon could enhance treatment and prevent misuse, relapse, and overdose. Objective: The purpose of this systematic review was to locate and examine studies using music to induce substance craving in humans. We sought to discover if music can induce substance craving as well as specific aspects of the music and how it was used. Method: Adhering to the PRISMA Statement and Checklist, we conducted a systematic review of literature on music-induced substance craving in nine databases. We extracted data from studies meeting our inclusion criteria, which related to substance craving induced by music and data based on music intervention reporting guidelines. Results: We reviewed 751 research outputs. A total of 33 articles meeting the inclusion criteria were found, indicating that various types of music can induce alcohol, cannabis, nicotine, and general substance craving. In most of the studies, music was used as a component of a mood induction technique or in a virtual reality setting that led to craving. There tended to be a lack of detail about the music itself and most authors did not adhere to music intervention reporting guidelines. In the majority of studies, the researchers selected the music to induce negative mood states so as to elicit craving. Conclusion: Music has the potential to induce substance craving. While the music used in studies varied considerably and tended to be well controlled from a research design perspective, the music was not based on the music psychology literature, and authors did not adequately report essential aspects of the music. Implications for clinical practice, limitations, and suggestions for future research are provided.
引用
收藏
页码:137 / 175
页数:39
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