Between General Strike and Dissensus: W. E. B. Du Bois's Black Reconstruction

被引:2
作者
Feldman, J. L. [1 ,2 ]
机构
[1] Brown Univ, Polit Theory, Providence, RI USA
[2] Brown Univ, Box 1844, Providence, RI 02912 USA
关键词
aesthetics of politics; refusal; Jacques Ranciere; abolition democracy; self-emancipation; JACQUES RANCIERE; POLITICS; WORLD; WAR;
D O I
10.1177/00905917231154425
中图分类号
D0 [政治学、政治理论];
学科分类号
0302 ; 030201 ;
摘要
For W. E. B. Du Bois, the tragedy of Reconstruction was that its achievements were overthrown and erased from collective memory. Du Bois's Black Reconstruction corrects this, claiming enslaved people who fled plantations self-emancipated, thus enacting a "general strike against the slave system." Yet Du Bois contravenes his general strike thesis when he quotes without rebuttal several Union officials who spoke of the formerly enslaved in degrading, nonagentic terms. I turn to Jacques Ranciere's politics of dissensus to understand why Du Bois quoted such racist views without comment. In Ranciere, political actors "stage a scene" of equality that is shared, even among parties in conflict. Recording conflicting perceptions of the strike, highlighting divisions that persist despite momentary advances of equality, Du Bois's reading of the general strike is dissensual in Ranciere's sense, I argue. But Du Bois also offers a valuable corrective to Ranciere, whose account of the first plebeian secession erases a different general strike from memory. Ranciere reads the Aventine as an event of confrontation unconnected to the collective action that Du Bois summoned from the archive and named "general strike."
引用
收藏
页码:674 / 702
页数:29
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