RE-CLAIMING "A QUEEN OF WOMEN AS OF STATES": FEMINIST HISTORIOGRAPHY AS DRAMATURGICAL SPACE IN LADY GREGORY'S GRANIA (1912), KINCORA (1905/1909), AND DERVORGRILLA (1907)

被引：0

作者：

Grimes, Nora Mulloy ^{[1
]}

机构：

[1] Trinity Coll Dublin, Dept Drama, Dublin, Ireland

来源：

ILHA DO DESTERRO-A JOURNAL OF ENGLISH LANGUAGE LITERATURES IN ENGLISH AND CULTURAL STUDIES | 2025年 / 78卷

关键词：

Lady Gregory; Irish theatre; dramaturgy; feminist historiography; space/place; IRELAND;

D O I：

10.5007/2175-8026.2025.e103682

中图分类号：

I [文学];

学科分类号：

05 ;

摘要：

This article1 considers how Augusta, Lady Gregory, playwright and cofounder of Ireland's Abbey Theatre, crafts a dramaturgy of feminist historiographic space across her folk-history trilogy, Grania, Kincora, and Dervorgilla. The article engages with scholars across Irish theatre history, spatial theory, and feminist theory to propose a new vision of a dramaturgy of feminist historiography in Gregory's plays. Irish women artists and activists intentionally reclaimed and reimagined women from Irish folk history as a method of cultivating women's space within the national and nationalist imaginations. In her reconceptualization of these histories for the stage, Gregory was envisioning an Irish national drama where women were center stage, and by extension, demonstrated the power of women's presence within the greater cultural nationalist movement.

引用

页数：21

共 26 条

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[5]

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[9]

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[10]

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