Transparent Citizenship: The Racialization of Privacy in Post-World War II Japanese American Fiction

被引:0
作者
Suzuki, Erin [1 ]
机构
[1] Univ Calif San Diego, Literature, La Jolla, CA 92093 USA
关键词
opacity; transparency; Asian American literature; citizenship;
D O I
10.1215/00029831-11557497
中图分类号
I3/7 [各国文学];
学科分类号
摘要
Written in the wake of the Japanese incarceration and the emergence of new Cold War discourses around race, privacy, and democracy, Hisaye Yamamoto's and John Okada's works mark a shift from the specific targeting of Japanese Americans as individuals whose citizenship was contingent upon enforced transparency to the broader suspicion of the more generalized "Oriental" as a figure whose opacity becomes an excuse for racialized surveillance and policing in the name of national security. As formerly interned or imprisoned individuals, Yamamoto's and Okada's protagonists begin their stories already understanding the contingency of their right to privacy and the expectations of transparency that attend their reentry into the mainstream of US society. This article argues that Yamamoto's and Okada's depictions of this transparent citizenship not only critique the limitations and burdens of proof that it places on racialized (and otherwise minoritized) individuals, but also articulate ways to think differently about citizenship itself. What if US citizenship were understood as a formation that did not fetishize the role of individual agency in the process of self-determination? What if the goal of transparency was not to expose or condemn the individual but to better illuminate the parts that individuals play in the construction of our society, and the complexity of their connections to others? And how might transparent citizenship be reconceptualized to empower, rather than infantilize, citizens vis-& agrave;-vis the state, by giving us information we might need to imagine and remake the power dynamics of this relationship?
引用
收藏
页码:521 / 545
页数:25
相关论文
共 35 条
[1]  
[Anonymous], 1947, FOREIGN AFF, V25, P566
[2]  
Arakawa S., 2005, RECOVERED LEGACIES, P183
[3]  
Bascara Victor, 2019, Verge: Studies in Global Asias, V5, P28
[4]  
Berlant LaurenGail., 1997, QUEEN AM GOES WASHIN
[5]  
Cheng Anne, 2022, Washington Post
[6]  
Chuh K, 2019, DIFFERENCE AESTHETICS MAKES, P1
[7]  
Cohn Dorrit:., 1978, Transparent Minds - Narrative Modes for Presenting Consciousness in Fiction
[8]  
Day Iyko, 2016, The Rhetoric of Colonialism in Yasmina Khadra's What the Day
[9]  
Elliott M, 2009, MELUS, V34, P47
[10]  
Emerson Ralph Waldo, 2015, Ralph Waldo Emerson:The Major Prose