Between Utopia and Hallucination: The Holistic Space in Speculative Drawing Practices

被引：0

作者：

Chelushkin, Kirill

机构：

来源：

ARCHITECTURAL DESIGN | 2024年 / 94卷 / 06期

关键词：

Albert Kahn; Antwerp; Archigram; Architectural Bureau of the Moscow Union of Architects; Asymptote Architecture; Bernard Tschumi; Botanical Garden; Chicago; Coop Himmelb(l)au; Daniel Libeskind; Denis Diderot; Detroit; Frei Otto; Hans Hollein; Hubert Robert; Ivanovo; Krokin Gallery; Le Corbusier; London; Michigan; Moscow; Moscow Architectural Institute (State Academy); Moscow State University; Nadya Kotova Gallery; Newton; Paris; Peter Eisenman; Reiser+Umemoto; Remains; Roland Barthes; Russia; Russian Constructivists; Shtager&Shch Gallery; Siberia; Soviet; Stanislav Kulish; Tadao Ando; Tver; USSR; Yaroslavl; Concrete Whispers; Brutal Dreams’ exhibition; Design Bureau’ drawing series; From Inside’ exhibition; mechanics; Nobody's Trail’ exhibition; Two Laws;

D O I：

10.1002/ad.3115

中图分类号：

TU [建筑科学];

学科分类号：

0813 ;

摘要：

The surface of an architectural drawing can be a cauldron of creativity, a place where even gravity and friction might not exist. Russian-born and based in Paris, architecturally trained artist Kirill Chelushkin creates astounding, often large-scale works that explore the ontology of drawing. Here he describes the inspirations for his machine-related architectural representations, including Russian Constructivism and historical, battered and burnt blueprint drawings of the rapidly disappearing machines of the Soviet industrial complex.

引用

页码：24 / 31

页数：8