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- [1] Music and Cafes in Salamanca at the Beginning of the 20th Century Through the Local Press FUTURO DEL PASADO-REVISTA ELECTRONICA DE HISTORIA, 2013, (04): : 459 - 480
- [2] Carnival and Music in Salamanca in the Local Press along the First Decade of the 20th Century FUTURO DEL PASADO-REVISTA ELECTRONICA DE HISTORIA, 2016, (07): : 459 - 476
- [3] Woman and artist in a Spanish provincial city during the 20th century: Salamanca's case ARENAL-REVISTA DE HISTORIA DE LAS MUJERES, 2014, 21 (02): : 343 - 362
- [4] TRAILS OF PULA'S MUSICAL INDIVIDUALITY - CREATORS OF THE CITY'S MUSICAL IDENTITY IN THE FIRST HALF OF THE 20TH CENTURY ANNALES-ANALI ZA ISTRSKE IN MEDITERANSKE STUDIJE-SERIES HISTORIA ET SOCIOLOGIA, 2013, 23 (02): : 451 - 462
- [5] NON-MUSICAL MARKERS OF THE STRUCTURE AND CONTENT OF MUSICAL WORKS AT THE END OF THE 20TH CENTURY AD ALTA-JOURNAL OF INTERDISCIPLINARY RESEARCH, 2021, 11 (01): : 37 - 41
- [6] "St. Cecilia rises" - preliminary considerations on the musical activity of Mariana Seminary in the first half of the 20th century LABORHISTORICO, 2022, 8 (01): : 108 - 126
- [7] Salamanca's theater and musical activity in the first quarter of twentieth century through the local press FUTURO DEL PASADO-REVISTA ELECTRONICA DE HISTORIA, 2011, (02): : 615 - 632
- [9] Time Models in Myth and Music of the 20th Century MUZIKOLOSKI ZBORNIK, 2019, 55 (01): : 177 - 194
- [10] TRACING PULA'S MUSICAL AUTONOMY - CREATORS OF THE PULA MUSICAL IDENTITY IN THE FIRST HALF OF THE 20TH CENTURY: MARIA POLLA-PUECHER, ROMEO ENDRIGO AND RUDOLF ZUPAN ARTI MUSICES, 2015, 46 (01): : 59 - 75