This article centres Hortense Spillers' vocabulary of 'flesh', 'ungendering' and 'pornotroping' in order to analyse the racial grammars and continuing coloniality that informs Western engagements with sexual violence in the Democratic Republic of Congo. Contextualising international interventions within a longer colonial history of gendered, sexualised and racialised violence, this article traces the modern industry that has developed around survivors of sexual violence, voyeuristic representations of violated bodies and strategies to elicit Western audiences' empathy through restaging scenes of violence as occurring to white bodies. It argues that such interventions risk reinforcing aspects of the colonial ungendering of black women through reproducing them as objects in global political economies and visual regimes of violence and through rendering their suffering as visible and intelligible only in relation to white liberal humanism. In doing so, it makes the case for further engagement with Spillers' work in critical and feminist International Relations.