Eγω σον ουτ αν προσπ εσειν τλαιην γονυ (Helen 947). Gestures and Movements in Euripides' Helen

被引:0
作者
Talens, Carmen Morenilla [1 ]
机构
[1] Univ Valencia, Valencia, Spain
来源
SYNTHESIS-LA PLATA | 2025年 / 31卷 / 1-2期
关键词
Movement; Gesture; Appearance; Reality; Euripides;
D O I
10.24215/1851779Xe145
中图分类号
I [文学];
学科分类号
05 ;
摘要
In all tragedies the movement on stage is important for their interpretation. In Helen it acquires a special relevance, among other causes, because in this work the opposition appearance / reality is fundamental. We will show some passages in which gestures and movements are especially significant.
引用
收藏
页数:10
相关论文
共 21 条
[1]  
Assael J., 1987, Pallas, V33, P41
[2]  
Burian Peter., 2007, Euripides: Helen
[3]  
Cala J. G. Montes, Fronteras entre el verso y la prosa en la literatura helenistica y helenistico-romana: Homenaje al Prof. Jose Guillermo Montes Cala, P531
[4]  
Calderon Dorda E., 2007, Euripides
[5]  
Capponi M., 2021, Doing Things with Words... and Gestures on Stage
[6]   Speech Acts of Supplication in the Iliad [J].
Conti, Luz .
EMERITA, 2022, 90 (02) :201-225
[7]  
Dale A.M., 1967, Euripides: Helen
[8]  
Di Benedetto V., 1989, Dioniso, VLIX, P65
[9]  
DI BENEDETTO V., 1997, La tragedia sulla scena. La tragedia greca in quanto spettacolo teatrale
[10]  
Easterling P., Greek and Roman Actors: Aspects of an Ancient Profession, P342