STRINDBERG AND THE "WOMEN'S QUESTION" IN RUSSIAAT THE TURN OF THE 20TH CENTURY: ON VARIATIONS OF THE PLOT OF "FRÖKEN JULIE".ARTICLE TWO: "NELLY RAINTSEVA" (A. AMFITEATROV'S SHORT STORY AND E. BAUER'S FILM)1

Articles one and two are devoted to the analysis of the role of A. Strindberg's works in the discussion about the "new woman" in Russia at the turn of the 19th-20th centuries. The interest of Russian authors of this period in the work of the Swedish writer was repeatedly noted in the scientifi c research. However, unexplored areas remain in the issue of the reception of Strindberg's views on women. The discus-sion of the new role of women in the era of active social changes in Russia turned out to be a counter current, which determined special attention to certain works of Strindberg, in particular the play "Miss Julie". The fi rst article examines the views of Strindberg's Russian contemporaries on the portrayal of women in his work, touches on the history of translations and productions of the play "Miss Julie" in Russia and its infl uence on the images of the plays "The Cherry Orchard" by A.P. Chekhov and "Zhan Ermolaev" by G. Ge. In the second article we focus on A.V. Amfi teatrov's story "Nelly Raintseva" (later turned into a script by the author and into a fi lm by E. Bauer). The plot of the story, as the article proves for the fi rst time, is a variation of the plot of Strindberg's "Miss Julie". As evidence, fragments of a discussion about Strindberg's misogyny among Amfi teatrov's contemporaries are given, in particular Gorky's letter to Amfi teatrov, and Amfi teatrov's refl ections on women's rights in journalism. The changes introduced by Amfi teatrov to Strindberg's plot and charac-ters are analyzed, and it is concluded that Amfi teatrov justifi es the "fallen" female aristocrat, including by giving the fl oor to herself with the help of a diary form, often used in the literature and cinema of that time about new women. It is concluded how the plot and characters of the play "Miss Julie" were transformed in Russian culture.