This article advocates a turn to the visual in legal scholarship. The phenomenon used to elucidate this methodological proposition is the figure of the 'human shields' under international humanitarian law, viewed from within the lived history of the peoples of the Global South. Today, the 'human shields' notion profoundly shapes how international law operates in scenes of intense organized violence. Once deployed, the human shields claim triggers a radical shift in the applicable international legal framework. After this point, harm to the civilian population and space can be legally authorized and justified. This article challenges the ways in which the 'human shields' notion continues to be debated in mainstream legal scholarship and discourse in terms of doctrinal interpretation, examination of evidence, or analyses of 'asymmetricity' and 'urbanization' as 'challenges' in 'contemporary' war. Before any such inquiries, I argue, it is crucial to pay attention to the visual and the lived history of the peoples of the Global South. Images that exist in the cultural realm - of and about war and crime, the human shielding spectacle and its actors, and Global South societies - structure and delimit the legal conversation and predetermine its possible outcomes. I propose, in sum, an attention to the visual as a site of the legal inquiry that can inform our understanding and critique of the law and politics of human shields. Images enable, rationalize and provoke the emotions necessary for an 'exceptional' operation of international law that authorizes massive violence against Global South spaces and peoples.
